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Troubled Warners exec finds comfort in watching Batman v Superman over and over again

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Last week The Hollywood Reporter ran a succinct piece about Warner Bros. and its current box office woes. Behind a string of flops and...

Review: The End of the Tour captures the relationship between creators and their creations

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The End of the Tour is probably the closest thing I've ever seen to a Matryoshka Russian dolls analogy put to paper. It isn't...

Trank Sank: Fantastic Four blame flies after poor box office showing

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About the one element not being blamed for the Fantastic Four's meagre $26.2M opening is superhero box office fatigue. The film opened at #2,...

Z2 Comics launches Modern Prometheus production company

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Z2 Comics is on a roll, having announced a new line of graphics novels, a line of periodical comics and now a productions company, Modern Prometheus, which got inked in THR.

Deadpool loves The Golden Girls

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Offered without comment, the cast of Deadpool promoted their upcoming film and saluted the greatest sitcom of the 90s with a series of tweets. https://twitter.com/VancityReynolds/status/618796218106388480 https://twitter.com/ginacarano/status/618797336131579905 https://twitter.com/nottjmiller/status/618809763355303937 https://twitter.com/missmorenab/status/618799109294714880 https://twitter.com/briannahilde/status/618798691936157696 https://twitter.com/edskrein/status/618799921521664000 https://twitter.com/VancityReynolds/status/618802472119857152

Review: Inside Out may be Pixar’s best film yet

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There are moments in life, for everyone, when sorrow creeps into our happiest memories. Time passes. We change. We lose things. We lose people. Our past experiences take on a new shape. Occasionally the shift is sharp and profound; an earthquake. Other times it’s gradual and unnoticed; erosion. But sorrow isn’t always a burden. Sometimes it’s a salve.

Jurassic World is #1: you got what you deserved — UPDATED

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UPDATE: Even Marvel Studios Head Kevin Feige has saluted Jurassic World's triumph with a gracious tweet that still manages to remind everyone that New...

Review: Jurassic World – Something old, something new, something borrowed, and Dr. Wu

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I didn't have high hopes for Jurassic World. Each attempt to reinvigorate the franchise has failed worse than the last, and despite the glimmer of...

Review: Is When Marnie Was There Ghibli’s emotional farewell?

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Falling somewhere between fairy tale and ghost story, When Marnie was There potentially represents the final brick in the wall of Studio Ghibli films, coming on the heels of the retirement of famed director Hayao Miyazaki.

WB Film exec: “The filmmakers … are making great movies about superheroes; they aren’t...

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Warner Bros film head Greg Silverman was interviewed for The Hollywood Reporter about the ongoing Harry Potter and Lego franchises and, oh yes, the DC movies. As as usual the "how are you different from Marvel?" question comes up. And it's all about master filmmakers, perhaps a meow about Marvel's more generic—and massively successful—take?

Kirkman combines with Transformers writing team

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Because uniting to fight boredom takes teamwork, Paramount has just made a Devastator out of a bunch of star writers to revamp the Transformers franchise, and Robert Kirkman is among them. The team, led by Akiva Goldsman, includes Kirkman, Art Marcum and Matt Holloway (Iron Man) Zak Penn (Pacific Rim 2 and X-Men: The Last Stand) and Jeff Pinkner (Lost, Fringe) So yes, this is pretty much the superhero franchise dream team. They'll sit around thinking about ways to make the Transformers cool. I got one word: Victorion..

Mad Max Fury Road: A citadel in the Uncanny Valley

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After attending an afternoon showing of Mad Max Fury Road, I stood outside the theater in a daze. I was almost literally speechless, and my PTSD continued as I hopped in a cab to go to a dinner engagement. Fury Road's insane, relentless, vivid and non-stop car chase was so senses shattering that it felt weird to actually BE in a car in the real world. I kept expecting the taxi to rear end a war rig or see an Interceptor career towards us at a 45 degree angle or have a Polecat suddenly dip towards our cab, lobbing a grenade. The real world suddenly seemed like a distant echo of the thunderous one that had seared itself on my eyeballs for the last 120 minutes. My visceral reaction was so different from how I felt after any number of recent CGI extravaganzas. I'd forgotten about Age of Ultron by the time I crossed the street. I left Guardians of the Galaxy humming "Ain't no Mountain High Enough" and loving raccoons, but the plot quickly receded into the rearview mirror. Perhaps this is because of my own subconscious processing of real images as opposed to animated ones — the practical effects of Fury Road are so much more memorable and powerful—and expensive.

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