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Warren Ellis is having a crack at reimagining the Project Superpowers universe, and Blackcross #1 hits in March. We've had an advance peek and it's not what might be expected, with a strong horror bent. Here's some brand new pages of Colton Worley's art to give you a taste, as well as variant covers by Jae Lee, Declan Shalvey and Tula Lotay.

Speaking of AdHouse, a second printing of Jim Rugg's classic Street Angel is out today, the story of a homeless girl who fights crime while riding around on her skateboard. It was action packed, sad and beautiful. Originally appearing in 2004, this book was, along with Scott Pilgrim, an early adapter of the "new mainstream" esthetic whereby comics broke out of both superhero and autobiographical tropes to reach a new, younger audience growing out of the manga boom. Originally published by Slave Labor the book had a cult following beforei being released by AdHouse last year. And now its in its second printing. Rachel Edidin has an overview of the book here. The new edition has a pink pages and purple ink, making it perhaps the most perfect Street Angel edition of all. And just because I can here's a preview:

CCS just keeps turning out interesting new cartoonists. Sophie Goldstein is a recent grad whose works defies easy categorization, except to say that she's got a great line and a keen eye, she writes stories and anything can happen. And now AdHouse is bringing out The Oven by Goldstein in April. It's set in a totalitarian future where "dwindling resources have driven the human race into domed cities where population controls are strictly enforced. When a young couple goes looking for an anti-government paradise in the desert they may have found more than they bargained for."

eave it to a project helmed by Jonathan Hickman to be impeccably designed. The first issue of The Dying & The Dead brings together long-time collaborator Ryan Bodenheim as artist, colorist Michael Garland, and lettering duties by Rus Wooton for a whopping 60-page issue; and the sheer amount of information conveyed is akin to a freight train dropping from the sky at terminal velocity. In a good way, I assure you.

“The Blitzkrieg Button,” Agent Carter‘s fourth episode and mid-way point, may have actually been the beginning of the series’ true arc and end game.

Minneapolis based 2D Cloud is an experimental comics publisher that's looking to grow in 2015. They've added Blaise Larmee as Marketing Director and Melissa Carraher as Publicist. Larmee is, of course, a cartoonist of some repute himself. In the past they've put out acclaimed works by Anna Bongiovanni, Mark Connery and Noah van Sciver.

2015, the year of the team up. Brooklyn's Hang Dai Editions, a studio whose members include Gregory Benton, Dean Haspiel, Seth Kushner, and Josh...

As of late, Bat group editor Mark Doyle has added books to the bat-ecosystem that have captured a similar type of magic previously only on Fox Kids programing. Gotham Academy has been a prime example of it. Issue four continues to unfold the institution’s connection to Gotham’s lore through the lens of adolescence.

Valiant has done an incredible job looping endless previews and press information to the various news outlets. While last week’s batch of previews was...

Upcoming Aquaman star Jason Momoa, who will be making his debut as the character in next year's Batman v Superman: Dawn of Justice, fielded a few related questions during a panel at the Sundance Film Festival, where he was promoting his SundanceTV series The Red Road. While you can listen to the full audio of the panel, here are the relevant bits pertaining to his role as Orin:

It's been widely-reported that Paul Feig's Ghostbusters reboot would include an all-female lineup. Though there is no official confirmation that this is a done deal,...

By Matt O'Keefe Comics Experience, an online school for individuals who want to create and publish comics, has already been making waves in the industry...