EXCLUSIVE: Read course notes from BBC Maestro’s Alan Moore-led Storytelling class
Learn how to develop extreme characters from the co-creator of WATCHMEN and FROM HELL.
WonderCon ’22: Heavy Metal unveils full schedule of panels and signings
The publisher is putting on a trio of panels featuring their stable of titles and creators.
Trans Comic Creators for Trans Day of Visibility (March 31)
The Beat spotlights trans comic creators to celebrate the occasion.
INTERVIEW: Ke Huy Quan talks EVERYTHING EVERYWHERE, Wong Kar-Wai, and Returning to Acting
What would you do if you could live a different life? One where you're stronger, more confident, richer, and more famous? Ke Huy Quan's...
Newsmaker interview: Joseph Illidge on starting Illuminous, Xerø and 50 Cent
Industry veteran Joe Illidge talks about his new production company, working with 50 cent, and the kind of stories we need now.
Announcing the Shortlist for the 2022 CARTOONIST STUDIO PRIZE AWARD
The Award is presented by The Center for Cartoon Studies and The Beat.
DC ROUND-UP: This month’s roundtable chat goes to WAR
The team discusses Shadow War Alpha #1 as well as the War For Earth-3 #2.
DC brings back its Round Robin fan vote for another year, this time minus...
The tournament was a source of controversy among the fan community last year.
REVIEW: MOON KNIGHT doesn’t reinvent the wheel but Oscar Isaac’s charm and talent is...
When I first watched the trailer for Moon Knight many months ago, I'll be the first to admit that I was hardly impressed. Aside...
REVIEW: EVERYTHING EVERYWHERE ALL AT ONCE is chaotic, completely bizarre, and totally heartfelt
When it comes to genre, tone, and plot, Everything Everywhere All At Once throws all of that at the wall and out the window...
Con Report: Angoulême returned with style in 2022
With the dust settled, and wifi access restored, Dean Simons takes a pictorial look back at Angoulême 2022
