Publishers

For people who liked the historical setting for X-MEN FIRST CLASS, Marvel is rolling out some similar treats in comics form. When it comes to retro comics that capture the feeling of past decades, Howard Chaykin is one of your go-to guys, and he's been tapped to write and draw AVENGERS 1959 which will feature Sabretooth, Kraven the Hunter and Namora. The book spins out of Avengers continuity and features a historical superteam trotting the globe for adventures.

Today's slam dunk interview is Alex Dueben's chat with Fantagraphics' publisher Gary Groth, probably just because on the internet a frank discussion with a knowledgeable comics publishing figure is about as common as a humble moment from LeBron. Throw in that he has stellar vocabulary skills, and you have a winner.

A growing body of comics observers have jumped on the bandwagon for Naoki Urasawa as the best genre cartoonist currently working with his layered, dynamic storytelling. But not everyone has gotten the religion! His 21st CENTURY BOYS is currently coming out from Viz, but with 15 volumes in print it could be a bit daunting to jump into. For those who prefer a video introduction, MONSTER, based on the manga of the same name, just began streaming from Netflix. The 74-episode series deals with Dr. Kenzo Tenma and his efforts to stop an insane killer whose life he saved as a boy.

In all the uproar over DC's relaunch, what was once a somewhat robust program for original graphic novels seems to have been lost: no talk of any more Earth One books, and Vertigo's OGN line is limping along in purgatory. Thus an Amazon listing for WONDER WOMAN: HAND OF THE GODS by Margaret Weis, Lizz Baldwin, Justiniano and Walden Wong is of some interest.

Well, you didn't have to have a degree in forensics to figure out that a storyline called "The Death Of Spider-Man" might involve....the death of Spider-Man. Hoping to jump on the same rampaging death-wagon that led to huge sales for the deaths of Johnny Storm and Captain America, Marvel allowed MASSSSSSSIIIIVVVVVVE spoilers in THREE mainstream media stories that broke this morning for TOMORROW's issue of ULTIMATE SPIDER-MAN #160: The Associated Press, USA Today, and the the NY Post which had a story title so incendiary we're putting it in spoiler text!

Via PR, confirmation that Image is adapting a ratings system based on DC's ratings, which are similar to manga and video game ratings system implemented over the years. With the death of the Comics Code, publishers are now voluntarily submitting to labeling systems, perhaps reflecting the widening audience for comics in bookstores and chain stores. The brief PR makes no mention of who will implement these ratings: the creators or someone on the Image staff. WE've fired off an email to Image and will report any responses.

David Goyer, co-creator of Flash Forward and the regular story collaborator with Chris Nolan on DARK KNGHT and THE DARK KNIGHT RISES is looking to produce 100 BULLETS as a TV series for Showtime.

Only a few days ago, SLG announced they would be selling digital comics via iVerse, and, in a sign of the continuing difficult of selling small comics periodicals, they have announced that the final issue of ROYAL HISTORIAN OF OZ by Tommy Kovac and Andy Hirsch will only be available as a pdf download. Although low orders scuttled the final print issue, it will be available in the collected edition, which is due in September.

When alt-comix superstar Brian Chippendale reviews mainstream comics, the result illuminates us all this episode he examines the X-men, the new UNCANNY #1, and fanboy style, suggests that consecutive numbering didn't hurt X-MEN #94:

Meanwhile, back at the box office, GREEN LANTERN debuted at #1 with $52.6 million, less than THOR and even X-MEN: FIRST CLASS. As the Times put it: "An all-hands-on-deck effort by Warner Brothers to turn “Green Lantern” into a box office superpower fizzled over the weekend." With a budget of a reported $300 million, dreadful reviews and a big Friday-to-Saturday drop-off, GL's task as the advance guard for a new generation of movies based on DC characters has been made much more difficult.

If you had asked me if I had wanted to see a movie about Green Lantern, I would have been neutral, but if you had asked me if I wanted to see a movie about a giant space octopus made of fear and smoldering owl fewmets busting loose from green chains, I would have said hell yes! GREEN LANTERN is probably the most comic-book comic book movie since SPIDER-MAN. All the imagery and spirit come straight from the yellowing pages of some old comic by John Broome and Gil Kane -- a boldly colored, nuance-challenged world of wonder and battle in the stars.

Designing the Green Lantern Corps for the screen left veteran designer Neville Page spent with exertion -- it dwarfed his previous projects AVATAR, SUPER 8 and STAR TREK. To solve the problem, Page turned to the work of the comics giants who paved the way: