Publishers

Young Chloe Moretz is adding to her geek cred by starring as yet another cartoon character, Emily the Strange, Deadline reports. Originally created as a clothing line mascot by Rob Reger, Emily is a cat-loving goth girl (like there is any other kind) who had expanded into print and graphic novels. An Emily comic is published by Dark Horse, and DH head Mike Richardson will be one of the producers.

As we head into Day 3 of the Bi-Coastal Era of DC Comics, even bigger organizational changes were announced at Warner Bros. Short version: Time Warner head Jeff Bewkes announced that Warner Bros Chairman/CEO Barry Meyer would be staying on for two years (he had been rumored to be retiring before that) but studio head Alan Horn will be moving along in April 2011. Three men will fill a three-headed president role to replace Horn: Jeff Robinov, the movie guy, Bruce Rosenblum, the TV guy, and Kevin Tsujihara the multimedia/home entertainment guy. Although this all seems far distant from the traditional comics business, it is all tied in, of course.

Forbes has published its list of the 400 richest Americans and Marvel CEO Isaac Perlmutter clocks in at #250 with $1.65 billion, much of it from the $4 billion sale of Marvel to Disney last year. The piece also contains a real oddity: a photograph of Perlmutter.

With the announcement of the closure of WildStorm imprint at DC and the retiring of the WildStorm name, it isn't just another in a long list of comics imprints that have ended over the years. In its 18 year run WildStorm has been a vital part of several revolutions in commercial comics, and changed the game in many ways -- Rob Liefeld's post below gives a succinet run down of some of the highlights.

Founded by Jim Lee as one of the original six Image Studios (along with Marc Sillvestri's Top Cow, Todd McFarlane's McFarlane Productions, Rob Liefeld's Extreme Studios, Jim Valentino's ShadowLine and Erik Larsen's Highbrow Entertainment), WildStorm immediately established itself as one of the most commercial, with huge sellers like WildCATS and Gen 13. A series of developing fan favorite artists, including of course Lee himself, but also J. Scott Campbell, Joe Madureira and Humberto Ramos, kept popularity up, while the creator owned Homage imprint delivered such strong properties as Astro City and Leave it To Chance.

Although known first for their art, by the end of the decade, WildStorm was really becoming known for some of the most daring mainstream writing of the period, with genre-defining work by Warren Ellis and Mark Millar, strong adventure material by Jimmy Palmiotti and Ed Brubaker, as well as daring experiments like Automatic Kafka, a book by Joe Casey and Ashley Wood that people are still figuring out.

And then there was America's Best Comics, an new line of comics written by Alan Moore that would introduce the world to League of Extraordinary Gentlemen, Tom Strong, Promethea and Top Ten, the superhero police procedural. And our favorite, Jack B. Quick, the boy inventor who solved science's greatest non problems.

Of course, there are dark parts to the legacy as well, all of which will be trotted out and discussed at length, we're sure. But for now, we asked creators and staff for some of their good memories, and this is what they came back with.

At The Factual Opinion, Tucker Stone and Michel Fiffe ponder whether LOVE AND ROCKETS #3 might just be the best comic by Jaime of all time. In which case it would be one of the greatest COMICS of all time.

Well, a very very looong week continues for employees of DC Entertainment as each and every person undergoes an interview to explain whether they are staying, going, or getting laid off. Ugh. There is certainly a lot of information and speculation floating around, but it seems unnecessary to play this out on the internet while staff is still being informed. In the meantime, for observers, this IGN interview with Diane Nelson, Jim Lee and Dan DiDio includes as much information as we're likely to get for now. While as many questions remain today as there were yesterday, at least there is a plan in place, says Nelson:

Okay, now we know why there's still unease over all outposts of the DC Entertainment empire today: In the first interview we've seen with DC head Diane Nelson, she explains that DC's staff will be cut by 20%:

Well now, didn't exactly see this one coming: while everyone has been wondering if WildStorm would become the new DC since they were already on the West Coast...turns out that as of December, WildStorm will be no more. WildStorm titles, licensing and kids comics, all recently coming out of La Jolla, will be turned over to the DC banner. The Zuda brand is also done for.

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PR just went out announcing the organizational changes. In a surprise last-minute reprieve, editorial is staying in New York...but digital, multimedia and administrative are going to LA.

Ever since the Big Shake-up last year, both Marvel and DC have been the subject of much speculation regarding moves, with some guessing that Marvel might move to Disney's offices in White Plains...or to Burbank. However it seems that preserving the Pixar-like independence for Marvel is still a priority, as they are staying in town and merely moving a few blocks uptown. While an announcement of some kind is expected today about DC's possible West Coast move, the NY Observer confirms that Marvel is moving to newer uptown offices, , 135 West 50th Street, the same address as Sports Illustrated and EW. The House of Ideas will take over the 60,000 sq. ft. office on October 1 -- or...next Friday.

Yes, there is a GHOST RIDER sequel being made right now, but it won't come out until 2012. And then the world will end. Nicolas Cage rides the flaming chopper again, Splash Page reports. The CRANK team of Mark Neveldine and Brian Taylor directs, and it's filming in Romania. You'll recall that although there wasn't that much enthusiasm for the first one, the rights would revert to Marvel/Disney if Sony didn't do something with the property, and Sony wouldn't want that. Because there is life in that flaming chopper.