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First new Bill Watterson art in 16 years benefits Team Cul-de-Sac

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Calvin and Hobbes creator Bill Watterson has a been a notorious recluse for 16 years or so; however, he has broken his visual silence for a pretty worthy cause, Michael Cavna reports. Watterson has donated a painting -- yes a painting -- of Richard Thompson's Petey character from Cul-de-Sac to a Parkinson's disease benefit. (Thompson suffers from that illness.)

The most important things you need to know today about comics, Part II: Kirby...

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What is the greatest convention moment of all time? It might just be described in this post!

To do Sunday: SAW Benefit Reading at KGB

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Hey peeps, we'll try to give you a bit more warning about awesome events and here's a do not miss: A benefit reading for Tom Hart and Leela Corman's new school in Florida with an all-star lineup. A great night for a great cause.

Avatar hires Kuhoric as VP-Publishing/Managing Editor

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James Kuhoric has joined Avatar as Vice President of Publishing and Managing Editor. Kuhoric was formerly Director of Purchasing for Diamond and author of several comics including ARMY OF DARKNESS and BATTLESTAR GALACTICA. Avatar has traditionally run a very tight ship so hiring Kuhoric and another recent recruit, sales director Keith Davidsen, shows they are maybe ready to make a run for that contested #5 publisher spot?

Mike Keefe wins 2011 Pulitzer Prize

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Editorial cartoonist Mike Keefe of the Denver Post has won this year's Pulizter Prize for cartooning. He won the 2011 John Fischetti Editorial Cartoon Competition earlier this year so he is on a roll. His home paper reacts here. A complete list of winners can be found here.

2011 Stumptown Award winners

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The Stumptown Awards were given out at the like-named festival on Saturday night, and we haven't checked twitter or Facebook for the evidence of hijinks but hopefully Beat reporter Jen Vaughn, who was on the scene, will have all the dish in her report. We do know the eremont was hosted by Bobby "Fatboy" Roberts and winner were chosen on a public ballot. Here is the very fine bunch of winners:

Maisie Kukoc Award goes to Damian Jay

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The Maisie Kukoc Award, presented to a mini-comic of merit as part of the Stumptown Festival, was given to Damian Jay for The Natural World #3-4

End of an era: Tokyopop shutting down US publishing division

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The comics publishing culling of 2011 claimed its most prominent victim as it was announced today that Tokyopop is shutting down its US operations, as of May 31. The German office will stay open to handle publishing rights and the film division will continue. Founded in 1997, Tokyopop and its founder Stu Levy were at the forefront of the manga revolution in the US, introducing such hits as SAILOR MOON, CHOBITS, and LOVE HINA to the US market in the "unflipped" format for the first time. Sales surged as the manga bookstore revolution took over in the early part of the last decade. An ambitious program of publishing original manga by creators from around the world -- many of them barely out of the teenaged readership years themselves -- proved controversial and ultimately saw only a handful of successful franchises but introduced a new generation of creators to the comics scene.

NBM goes with IPG for distribution

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Although we wrote about this here, it was little noticed that NBM, publisher of fine Euro-comix and quirky originals, now has its own book distributor, IPG, a respected indie distributor located in Chicago. Just as with Fantagraphics and Norton, D&Q and FSG, this should be a good match of a dedicated GN line for a distributor that wants to diversify. PR below:

NBM goes with IPG for distribution

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Although we wrote about this here, it was little noticed that NBM, publisher of fine Euro-comix and quirky originals, now has its own book distributor, IPG, a respected indie distributor located in Chicago. Just as with Fantagraphics and Norton, D&Q and FSG, this should be a good match of a dedicated GN line for a distributor that wants to diversify. PR below:

What's going to "save" comics this time?

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Over the past few years I've become very skeptical of all the talk about "saving comics" -- and I say that as someone who actually started a non-profit organization whose motto was "Here to save comics!" While this could be chalked up to my own ennui, I prefer to think of it as being practical.

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