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While we all contemplate the various issues regarding revenue for comics and where it will come from, let's look at where we all assume it will be going: some variant of streaming content. With Apple—and the rest of the market —doing everything they can to kill off the DVD and "the cloud' becoming the place from whence all jollies will emerge, it is still not a great source of revenue for the big players like Netflix and Spotify.

The newly resurgent Valiant Entertainment is taking action to get the retail community on it side, hiring former retailer Atom! Freeman to the position of Sales Manager and starting a campaign to contact all the 2500 retailers in the US. This kind of goodwill tour should pay off quite a bit—in our experience, all it really takes to befriend a retailer is to listen and then maybe learn.

The ugly legal battle between Archie Comics co-CEO's Jon Goldwater and Nancy Silberkleit has escalated in recent weeks with new legal filings. And now a judge has banned Silberkleit from going anywhere near Archie's offices or contacting any of the employees.

This year's Eisner nominating panel has made their choices for automatic inclusion in the Hall of Fame: Rudolph Dirks, who pioneered the newspaper comic strip with The Katzenjammer Kids, and Harry Lucey, a long time Archie artist credited with co-creating the characters. In addition, the judges selected 14 more nominees for the general ballot, from which four will be selected for inclusion into the Hall of Fame: Bill Blackbeard, Howard Chaykin, Richard Corben, Carlos Ezquerra, Lee Falk, Bob Fujitani, Jesse Marsh, Tarpé Mills, Mort Meskin, Dennis O'Neil, Dan O'Neill, Katsuhiro Otomo, Trina Robbins, and Gilbert Shelton.

The nominations for the 2012 Academy Awards are in, and HUGO led the way with 11 noms, including best picture, director and screenplay. Based on Brian Selznick's illustrated children's novel, if you squint a bit, it qualifies as a "graphic novel" movie. The animated films list is a bit of a surprise: Steven Spielberg won't get to correct his Golden Globes gaffe of forgetting to thank Hergé in his acceptance -- the mocap extravaganza wasn't even nominated. Instead the indie releases A CAT IN PARIS and CHICO & RITA were selected. The former hasn't even opened here yet but looks cool.

Every January, librarians gather together to learn, network, discover, and, most important, RECOMMEND great books to read. Here are some of the award winning books which appeal to readers of graphic novels! Congrats to all!

Lost in the storms of outrage over every boob shot and inker change at various superheroes comics is the real underreported story of the last six months; the decline in graphic novel sales and the concurrent decline of manga. While the former is definitely partly caused by the latter and both are undoubtedly influenced by the bankruptcy of Borders, the full causes behind both have yet to be fully analyzed. The manga side of the equation is covered in depth however in a lengthy column by Jason Thompson at io9 called Why Manga Publishing Is Dying (And How It Could Get Better). Thompson is no stranger to the manga field, having authored the essential reference Manga: The Complete Guide and the manga King of RPGs for TokyoPop. So his analysis is well worth following:

In comics, were one privy to what goes on in the editorial suite, you could probably do "The Hour In Creative Differences," not "The Week." That said, there have been a couple cases of creative differences that have bubbled to the surface in the last week or so: the circumstances of how John Rozum came to leave Static Shock and the demise of The Infinite from Robert Kirkman and Rob Liefeld.

Superheroes have often stepped up to campaign for charities, but this morning's announcement of Warner's new WE CAN BE HEROES initiative has set the bar pretty high. A multi-pronged campaign spearheaded by DC Entertainment and WB has committed several million dollars to teaming with three charities to fight starvation in the Horn of Africa, where 13 million people are currently at risk due to drought and war. In addition to selling merchandise, DC Entertainment will match donations dollar for dollar up to $1 million.

Well now the circle is complete. Former DC online VP Ron Perazza has joined comiXology as Vice-President – General Manager of Publisher and Creator Services. At DC, Perazza was responsible for the ambitious Zuda imprint and behind many other forward-looking initiatives. Since leaving DC last year he's been a bit of a free agent, but presumably his non-compete is over, and comiXology is the perfect place for him and furthers their place as the driver of the digital comics era.

The 23rd Annual GLAAD Media Award Nominees are out, including five in the comics category which exemplify positive media portrayals of LGBT characters:

The Beat has now received Alex de Campi's rebuttal to James Hodgkin's statement on being fired from ASHES, the graphic novel project they got funded on Kickstarter for $32,000. I said I would have my comments, and they are sad ones. I'm an admirer of both creators involved here -- professionally and personally. But if there was ever a case of he said/she said this is it. "Creative differences" indeed. The whole thing reminds me (for the old timers out there) of D'arc Tangent, a long ago collaboration between Phil Foglio and Freff which dissolved into "creative differences," never to be seen again.