Interviews

[You can't run a comics company without making some waves, and the name Bill Jemas still conjures up strong reactions from many who were around when he ran Marvel from 2000-2004. Jemas, along with Joe Quesada, oversaw a period of revolution and rebirth for Marvel as they started the Ultimates line and made many other business changes. Controversial at the time, Ultimization and other bold moves definitely put Marvel back in the game and provided a blueprint for future company-wide changes—as well as making Brian Michael Bendis, Mark Millar and J. Michael Straczynski household names in households where comics are read.

Beat reporter Alexander Añe caught up with Mark Waid at the Baltimore ComicCon and asked him about his current work, from Daredevil, which has been hoovering up every comics award in town, to Insufferable, Waid's webcomic currently running on Thrillbent.

By Steve Morris We're returning to Leeds for a second time this week (Leeds Week!), as the award winning store OK Comics celebrates ten years in business today. The...

By Steve Morris The Thought Bubble Convention is considered to be one of the strongest in the UK, emphasising comics ahead of film or television....

By Steve Morris The Thought Bubble Convention is considered to be one of the strongest in the UK, emphasising comics ahead of film or television....

One of the topics we've all had our eyes on here at Creator Watch 2012 is the Jim Starlin Situation. In brief, as you all know, Thanos was teased as a villain at the end of THE AVENGERS, and the announced Guardians of the Galaxy seems to be setting up some kind of cosmic menace for Marvel's movie universe. And it just so happens that Thanos -- and Gamora, who is a member of the GotG -- were both created by Starlin as part of his run on Warlock. In the case of Thanos, Starlin has posted evidence showing that he created the character prior to working at Marvel. And when asked about the character's appearance in the third highest grossing movie of all time, it turned out that he had been in the dark about it. As if that wasn't ominous enough, a Thanos miniseries to be written by Joe Keatinge was announced with great fanfare and then very hastily canceled, with no reason given, leaving room for all kinds of speculation that the character might be in some kind of ownership tussle.

Drop everything! Paul Gravett has interviewed Shaun Tan! The Oscar winning artist of The Arrival, The Lost Thing and many other picture books is one of the most admired illustrators working today, and although Tan's work often ends up being "comics" in that it is sequential, pictorial storytelling, as this interview makes clear, doing anything like comics is only something he backed into:

After reading Bon Alimagno’s excellent interview/evaluation with colorist Erick Arciniega on iFanboy, I decided that it was time for more of us to start jumping on the coloring bandwagon. Getting the right colorist on a comic can be crucial to the success of the book, and yet there’s really very little coverage of this side of the industry available. With that in mind I contacted colorist-whizz (and nicest man alive) Val Staples, whose recent credits include books like Swamp Thing, New Mutants, Deadpool and Hulk, to get a basic insight into his life as a colorist.

Gail Simone and Jim Calafiore, the same team that brought you SECRET SIX, is bringing you LEAVING MEGALOPOLIS.

By: Henry Barajas These Kickstarter projects are history in the making and it’s up to you to make it happen. Project: Route 66 mural project at...

Brooklyn is, despite the gentrification covering a huge swath of the entire borough, still home to a few people who don't shop at Kitsuné; and most of these urban poor seem to be cartoonists, which Brooklyn also has a huge population. The local website Brokelyn catches up with a few of them for survival tips. Brendan Leach, Leslie Stein and Lisa Hanawalt, (whose book on farts for children is excerpted above) give their recipes for ketchup soup and other practical hints:

Revisiting the debate over whether the Image model is as viable as the company model for creators to make a living.