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Interviews

INTERVIEW: Gary Dauberman continues the New Line horror tradition with ANNABELLE COMES HOME

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How authentic is the movie to the actual cases of Lorraine and Ed Warren?

INTERVIEW: Karl Kesel and David Hahn on their latest Kickstarter, IMPOSSIBLE JONES

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The graphic novel follows the light-hearted adventures of a criminal who gains powers and passes herself off as a superhero.

INTERVIEW: Gail Simone and Walter Geovani Discuss Their Deal with the ‘Devil

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The Death Defying 'Devil is making his comeback this summer thanks to Simone and Geovani

Interview: Kendra Wells’ REAL HERO SHIT is weird, horny and coming in 2022

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Kendra Wells opens up about their first long-form comics work with Iron Circus.

Interview: Danny Lore is a creative force to be reckoned with & QUEEN OF...

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The Beat interviews Danny Lore to talk about the Vault series Queen of Bad Dreams, science fiction, and brown agency.
spider-man 3 working title

Jon Watts reflects on tackling the events of ENDGAME in SPIDER-MAN: FAR FROM HOME

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Dealing with "The Blip" and certain deaths without bumming everyone out again

INTERVIEW: Pixar’s Good Luck Charm JOHN RATZENBERGER on Toy Story, opportunity, more

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"Having worked with Pixar 24 years, I don't really think it gets any better."

Matt Chats: Kel McDonald on Creating THE STONE KING for ComiXology

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Indie cartoonist Kel McDonald discusses developing THE STONE KING with Tyler Crook as a ComiXology Original.

INTERVIEW: The Creative Team on SERA & THE ROYAL STARS Chats About Their New...

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Jon Tsuei and Audrey Mok discuss their new fantasy adventure Sera & The Royal Stars
Howard Cruse

INTERVIEW: Howard Cruse dives into queer comics history & his own career as a...

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The Beat catches up with Howard Cruse for Pride Month.

Exclusive: Arledge Comics opens submissions for creator-owned, queer-inclusive, all-ages comics

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Arledge Comics is expanding its line of creator-owned titles.

Matt Chats: Joshua Fialkov Talks Working in Film and TV, Why Comics Needs a...

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Fialkov shares what he's learned from the Writers Guild and why comics needs a union, too.

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