Sociology

In a blog post, Dilbert cartoonist Scott Adams reveals himself as a male-basher who thinks all men need to be castrated to ensure a smoothly running society because all they want to do is rape and tweet pictures of their junk to co-eds:

We've heard from some of our pals in the comics industry that they have received two anonymous postcards -- both postmarked in Chicago -- with various statistics on gender disparity in the comics industry. One highlights problems with the materials:

A few years ago we pointed you at a 1950 Life Magazine spread that included various NCS cartoonists happily scribbling on swimwear covered models. Well, in the spirit of that shoot, but also to show how times have changed in 61 years, the Sequential Arts Workshop has updated these images with Ball Point Boxers which finds cartoonists Sara Varon, Leela Corman, Joan Reilly, Emily Flake, Hilary Allison and Jungyeon Roh recreating the stunt, this time with male boxers from Gleason's Gym.

For a movie about mutants, X-MEN FIRST CLASS has led to a lot of interesting discussion. Set in the '60s -- a time of great social change and timeless fashions -- filmmakers Matthew Vaughn and Jane Goldman had more on their mind than just fighting.

It's a new style of pimping. Instead of selling their bodies, or busting their backs digging ditches, some Chinese prisoners are forced to play World of Warcraft and pass the winnings on to cruel prison guards.

With all the talk about comics and racial stereotypes, this show running at NYU sounds like a must see. MARVELS AND MONSTERS looks at images of Asians in comics from the stereotyping of World War II through to the 80s. Curator Jeff Yang has some installation in progress photos on his Facebook Page. Sadly we missed the opening talk and reception last night but it looks to be a very comprehensive show, looking at different stereotypical roles including The Alien, the Kamikaze, the Brute, the Lotus Blossom, the Guru, the Brain, the Temptress, and the Manipulator. How well we know all those. The show runs until August 19th. Deets below:

Since the announcement that Wonder Woman pilot had not made NBC's schedule, there has been no dearth of analysis about what it says about Wonder Woman, about us, about women, about...EVERYTHING, dammit. The Wonder Woman pilot getting dropped may just be the most significant event of our time! First off, a picture of the variant "shorts" costume has been making the rounds. Would showing a bit more thigh have tipped the balance for the show? Probably not. With Wonder Woman nothing can ever, ever be simple.

Now that Nerd Culture is just regular Culture, thanks to the Internet, you'd think everything would have been settled, but there are still some skirmishes going on. And only this week a new mini-ruckus erupted and oddly enough, it was among the girls.

Now, one of the GOOD things about the internet is that it has allowed girl geeks to be just as proud and out as boy geeks and to, indeed, show that they like geek stuff, something that was doubted for a long time.

Speaking as a lifelong nerd myself, I can testify that back in the neolithic age of nerditry, if you had girls genes you were not taken seriously as a comics fan, wrestling fan, Star Wars fan, or anything else that boys thought was just for them. Oh, the looks I got when I said I had read Robert E. Howard. For a long time, I felt like I was the only one. In fact while I was at WonderCon, I was chatting to Sergio Aragones about the olden days and he said, "Remember when you were the only girl?" and I could only laugh in agreement.

Chester Brown's PAYING FOR IT is destined to be one of the most talked about graphic novels of the year -- we'd suspect it may be THE most talked about. It's a great work of comics that is nonetheless problematic for the views it espouses about human relationships and commerce. Just in case you aren't sitting on the edge of your seat waiting for the book to come out, PAYING FOR IT is a memoir by Chester Brown about his experiences employing prostitutes. Brown's previous works include such masterworks as I NEVER LIKED YOU, ED THE HAPPY CLOWN and the historical narrative LOUIS RIEL, which is considered an important political work in Brown's native Canada. As one of the pioneers of the most successful schools of autobiographical comics, Brown is a major figure of the art comix era.

Scott Adams is the author of the very popular workplace comic strip Dilbert. Although its humor is very accurate for those trapped in cubicle hell, it has also been held up over the years as an example of, er, declining standards in comic strip art. Still, it is very popular, a frequent object of refrigerator adornment and the books sell very well. Scott Adams also has a blog. And one day he was asking what he should write about, and some men's rights activists suggested that as a topic, (do these guys have a name, like Man Firsters?) so he wrote about men's rights. After he'd posted his little piece, he didn't much like the comments he was getting, so he took it down. For some reason.

This post by Kirsty Walker rounds up all the evidence FOR the upcoming KA-POW comics convention in London being a total sausage fest -- all the guests, award nominees and face time people are men.

Austin's South By South West has long been hailed THE place to play your new Renaissance-powered noise band or screen your documentary on the failings of mankind. As a former Austinite myself, I know the activity of the town pulses as if the city itself is running a marathon. The University of Texas students are off on Spring Break allowing for a different sort of tourist to take their spaces at the taco carts, oddly-named bars (hello, Mooseknuckle) and marvel at the bats of Congress Bridge.