Cartoonists

Been too busy with my regular Monday duties for a full MoCCA Festival wrap-up -- look for more photos and observations tomorrow, but in the meantime, as usual, it was a fun filled festival of comics and camaraderie. All of the many social events were great; the turnout at Saturday's Strange Tales/Beat/CBLDF fundraiser party was fantastic and we kept hearing all about what a great time everyone had. The same night there was a Comics Journal party at an LES bar which was also off the hook with great cartoonists, conversation, dancing and carrying on. As for the show itself, the crowd was perhaps a bit lighter than last year and the Law Of The Show came down from the mountain again: people with lots of great new books like D&Q and Fantagraphics did great. People without a lot of new material didn't do as well. More in the full report.

A tiny bit of justice at last. A ton of people this week commented that writing about how hard it is to make a living doing comics while simultaneously not paying your cartoonists is a seriously dick move. And Village Voice editor Tony Ortega has decided to scramble up all that egg on his face and give everyone some breakfast:

Cartoonist Peter Bagge has long had a thriving side career as a member of various garage bands. Now his outift Can You Imagine? has just released a new video for the song "Drive," directed by Mott Todd. Bonus: Artwork by Peter Bagge!

As mentioned in a previous item, this week's Village Voice is the Cartoon Issue, and the centerpiece is a longish article called If Cartoons Are So Big, Why Don't They Pay?; it's one of several recent prominent articles -- like the recent Marvel profile in the em>NY Times -- that focus on the rather frugal level of profits one can expect from publishing comic books in America.

[Chris Sotomayor is a successful and well known colorist for Marvel and other publishers. Recently he began a series of interviews he called "The Dirty Dozen" where he asks industry figures questions about their careers from a business standpoint. The themes are among those that we've recently been exploring here at The Beat as the career paths for cartoonists become more tangled -- here is more opportunity than ever, but the way to get there is not always clear. Although the interviews appear first at his site, Chris has graciously allowed The Beat to reprint them. Up this time, writer/artist Jimmy Palmiotti.]

Scott Adams is the author of the very popular workplace comic strip Dilbert. Although its humor is very accurate for those trapped in cubicle hell, it has also been held up over the years as an example of, er, declining standards in comic strip art. Still, it is very popular, a frequent object of refrigerator adornment and the books sell very well. Scott Adams also has a blog. And one day he was asking what he should write about, and some men's rights activists suggested that as a topic, (do these guys have a name, like Man Firsters?) so he wrote about men's rights. After he'd posted his little piece, he didn't much like the comments he was getting, so he took it down. For some reason.

As the PR points out, Chester Brown isn't a recluse but he doesn't leave his home city of Toronto too much, so catching him on the road this year in support of PAYING FOR IT is a must. More dates to be announced, but the current schedule calls for Toronto, Chicago, NYC, Montreal, Vancouver and Seattle.

After several years and three printed collections, cartoonist Julia Wertz has announced that she's finally retiring the Fart Party name for her comic strip. The name had been a constant source of bemusement for Wertz over the years -- although it didn't seem all that appropriate as the name of a comic strip about a 20-something young woman, it had the advantage of name recognition. BUt eventually it was time to move on, she explains. Wertz has moved her comics over to juliawertz.com, where her strip will continue under the moniker Museum of Mistakes.

Before she was a much admired editor at DC and Vertigo, Joan Hilty was a talented cartoonist, and somehow she managed to keep both running for nearly a decade. She's just launched JoanHilty.net to showcase all her skills. The site includes new episodes of her strip Bitter Girl, excerpt above.

Although comics are such a cool, welcoming place that sometimes it seems no one ever goes away, that isn't true. People drop in and out all the time. Two recent blog posts rack down some of the most missed MIAs. At Comics Comics, the indie side of things gets covered with Frank Santoro and friends recalling Guang Yap, (above) Joel Orff, Jeff Nicholson among others. The long comments thread brings u many other memories and ideas of Things That Are Best Left Forgotten:

We've seen trading cards for everything from NASCAR to bakeries, so why not cartoonists? Trading cards were a huge fad in the '90s, so it's not surprising that most of the cartoon trading sets we've seen hail from that era. But now, the current crop of superstars is getting its OWN trading card legacy, courtesy of the CBLDF and Cryptozoic Entertainment, called The Liberty Trading Cards. The set will spotlight the Fund's exploits in defending the First Amendment and include sketch cards, chase cards and autographs, along with more than 70 of today's top creators.

It is explained here. Everything is explained here.