Publishers

If you're a student of comics history the phrase "National Comics" conjures an image of Jack Liebowitz chomping on a cigar while urging teenaged creators to sign contracts...but if you're not, it means a new edgy anthology from DC Comics which will launch in July and run "pilot stories" based on some of the DCU's more "off beat" characters, like Kid Eternity, Madame X, and so on. First up, Eternity, above. Creative teams below:

Brandon Graham's KING CITY is something of a poster child for the fusion comics generation—begun as a "OEL manga" it was rescued from contract limbo and returned to lead the vanguard of Image's newly invigorated and eclectic line. But it's more than just a symbol—people actually seem to be buying it.

We're getting word this afternoon that a little shake-up at the DCU editorial staff has taken place. Senior Editor Bobbie Chase has been promoted to Editorial Director and current Executive Editor Eddie Berganza has been moved to a different position.

Although DC's "New 52" relaunch was well past its prime in February, sales were still good enough for the publisher to take the Top 10 slots on the Diamond Top 300 chart again, for the second month in a row. The average "New 52" title dropped by 7.6% in February, which is in line with January's 7.4% drop and suggests that, while the bigger drops seem behind us, the numbers haven't quite found their level yet, either. The average DC Universe title now sells fewer copies again than it did two years ago (34,456 vs. 35,895), but then again, the company's main imprint had 20 more titles on sale this time around: In February 2010, it was 47; in February 2012, it's 67. On balance, consequently, DC is still selling a lot more superhero comics than it has in most months in the last 10 years. In the 108 months since March 2003 we have comparable data on, February 2012 is only No. 71 in terms of average DC Universe sales, but it's still No. 17 in total DC Universe unit sales (2.3 million) and No. 20 in total DC Universe dollar sales ($7.3 million). Looking at the individual "New 52" books, meanwhile, we're once again getting a mixed picture. The top-selling books mostly continue to be very stable, but the farther down the chart you go, the steeper the decline. There were 14 "New 52" books selling below 20K in February (up from 10 in January) and 21 selling below 25K (up from 19).

The D&Q blog has a tempting preview of a new edition of ED THE HAPPY CLOWN, Chester Brown's early surrealist masterpiece about a man who has Ronald Reagan's head grafted onto the end of his penis.

"IDW proudly presents SERGIO ARAGONÉS’ GROO THE WANDERER: ARTIST'S EDITION, collecting a classic four-part story in its entirety by the Mad, Manic, and Marvellous SERGIO ARAGONÉS!"

Oh, man... so much good stuff coming from Macmillan! And they're not even known for publishing graphic novels! Scan this list, and tell us what makes you squeel with joy!

Every once and a while, news takes you completely by surprise. Were you expecting James Robinson and Philip Tan to be teaming up for a He-Man comic? Neither was I. And yet, it has been announced.

There is always some shock when the Eisner Award nominees for the year are announced. This thing got included, that thing was left off. It's natural. In recent years the judges have seemingly gone the way of recognizing more things in more categories and spreading around the wealth then singling out a few books/creators for TITANIC-level encomiums. Even the PR for this year's nominees praised the list's diversity—and 26 different publishers were mentioned, 15 with one nomination each. But as always, there was one omission that seemed to stun a lot of people, us included.

If you watch the cable newsers these days, you know that instant analysis and punditocracy of the kind once confined to sports is now the only way to analyze anything of import. Sound bites, gotchas, double backs, keeping em honest...analyzing what people are saying about what people are saying is way more productive than actually identifying and solving problems...so everyone does it. And while it isn't quite as entertaining as 2011's Republican primary debate analysis, say, comics have developed their own "Counterpoint Arena" in the last few months, as executives from DC and Marvel come out and give their play-by-play on the just released sales charts.

You'll recall that a few weeks ago, the estate of Edgar Rice Burroughs sued Dynamite over their ongoing lines of Tarzan and John Carter comics. Although the earliest works in each series are in the public domain, ERB, Inc. sued on the basis of trademark infringement, claiming that Dynamite's Lord of the Jungle was infringing their trademark for "TARZAN LORD OF THE JUNGLE" and so on. Well, Dynamite has responded, and it's pretty much a blanket denial, as you can see above. Dynamite's defense is pretty simple: the books are in the public domain, and ERB, Inc., doesn't have a trademark to infringe. For instance, ERB didn't file a trademark claim for Lord of the Jungle until March, 2012, although a shadowy company called ETT Corp. had filed one a few years earlier.

I think we've all gotten to the point where we can accept that pullboxes are pretty big part of the market and an especially important thing for new indie books. Valiant seems to be taking that to heart and is offering a "Pullbox Variant" cover just for people with pullboxes. How directly tied that is to their pullbox form (see below), I'm not sure. Regardless, it's a way to have subscribers without a subscriptions department and retailers do pay attention to customer pre-orders.