INDIE VIEW: ‘Ignited’ and ‘The Follies of Richard Wadsworth’ look at disruptions, deadly and...
John Seven reviews 'Ignited' and 'The Follies of Richard Wadsworth'
INDIE VIEW: ‘Texas Chainsaw Sculptor’ and ‘Fizzle #2’ are mini-comics at their best
John Seven reviews 'Texas Chainsaw Sculptor' by Katie Fricas and 'Fizzle #2' by Whit Taylor
INDIE VIEW: Jaime Hernandez’s ‘Is This How You See Me’ might make you feel...
John Seven reviews 'Is This How You See Me?'
INDIE VIEW: ‘Death Threat’ and ‘Paper Pencil Life #6’ offer different approaches to meditative...
John Seven reviews 'Death Threat' and 'Paper Pencil Life #6'
INDIE VIEW: ‘Bezimena’ offers no comfort but what essential art does?
John Seven reviews 'Bezimena'
INDIE VIEW: ‘Maggy Garrisson’ will make you happy too
John Seven reviews 'Maggy Garrisson'
INDIE VIEW: I read ‘Trump’s Space Force’ so you don’t have to
"The plot riffs off Trump’s space force suggestion last year and posits that there’s a real invasion about to happen and Trump’s lark is the one thing standing between us and the aliens, prompting the kind of thing anyone, left or right, would agree is a complete fantasy — prompt action by our government to prevent an actual threat."
INTERVIEW: James Albon’s fictional Iron Curtain contains ‘A Shining Beacon’
John Seven interviews James Albon about his new graphic novel 'A Shining Beacon'
INDIE VIEW: Women making their marks in ‘Aurora Borealice’ and ‘Nhun the Huntress’
John Seven reviews 'Aurora Borealice' and 'Nhun the Huntress'
INDIE VIEW: Is ‘The Nib’ the most important comic out there?
John Seven reviews The Nib #3
INDIE VIEW: ‘Babcia,’ ‘Red Ultramarine,’ and the stories we tell ourselves
John Seven reviews 'Babcia' and 'Red Ultramarine,'
