Digital Comics

While Heidi and Torsten were off having fun at NYCC, the rest of us had to sadly experience all the comics-related mayhem vicariously. Nevertheless, on the digital comics front matters continue to develop in interesting ways, particularly in relation to online retailing behemoth, Amazon. The explosive Amazon-DC graphic novel exclusive agreement for the upcoming Kindle Fire tablet device remains a hot topic and shows no signs of fading from view, with even the New York Times jumping on the controversy.

The NY Times digs in to the DC/Amazon/B&N/Books-a-MIllions spat and doesn't get too much further than the vague statements that everyone has made so far, but you can read between the lines a bit.

Over on the Vertigo blog, we find an announcement that Vertigo's titles are starting to be released simultaneously in both print and digital ("day and date" is an insipid phrase; let's all stop using it).

Yen Press has announced two manga style adaptations of bestselling YA novels: Sherrilyn Kenyon's Chronicles of Nick and Cassandra Clare's The Infernal Devices trilogy.  HyeKyung Baek is attached to The Infernal Devices as artist.  Both series...

This is interesting.  Viz is migrating Shonen Jump to a digital edition that's only 2 weeks removed from the Japanese original.  (And you can probably chalk that up to translation time.)  They're on the...

Yesterday, Apple servers were challenged when the world rushed to download iOS 5 with a host of new features -- and something called Newsstand, which will help readers subscribe to their favorite magazines available on iPads. Graphicly is there, so far the only mobile comics platform to be available, with titles like WALKING DEAD:

This iFanboy interview with a comics pirate who recently quit indicated that even among the scanning community, the good old days were awesome. Now, not so much.

Following his stint at BOOM! Studios, Chip Mosher has joined comiXology as VP of Marketing, PR and Business Development, where he'll run the digital distributor's West Coat office. Mosher was in on BOOM!'s early experiments in digital comics, so he'll doubtless bring much of that experience to comiXology, as well as his formidable talking abilities. It's a strong move for both parties. As if you hadn't figured out that digital comics are here to stay, they are now hiring real people for real jobs for, presumably, real salaries.

While googling for an image of Girl Genius in the previous post, we can across this Chris Butcher post from 2007 -- was it only fur years ago that the digital to print model was a new, uncertain thing? It was then that Phil Foglio began to serialize Girl Genius online and sell print collections, and pronounced it a success, a claim that Butcher analyzed:

Remember manga? It's still around, even if it isn't the juggernaut it was in the olden days. The big, big news in manga this week was the launch of Jmanga.com, best described as what if Marvel, DC, Random House, Dynamite, and Fantagraphics all teamed up to create their own comiXology. After years of sitting around anxiously watching piracy take a toll, the top Japanese publishers have finally banded together to create their own LEGAL online portal. The site just launched this week, and there been a ton of talk. J.K. Parkin has a great round-up of much of the reaction but it hasn't been universally loved:

So before anyone gets offended: No one is a bad person for using Kickstarter. It's a tool in our toolbox for these tough economic times, and it has genuinely helped a lot of creators get their work into print who otherwise might not have been able to do that. For groups working on a project together, even better! As a mechanism for fundraising or pre-sales, when the money's put in the right hands, we can all feel nice about it. Good for you if you've been able to make it work, I am genuinely happy for your success.

You have to take "anonymous spy reports" with a grain of salt, but this write up on the recent DC retailer roadshow in London had some interesting candid comments from DC's SVP of sales Bob Wayne. new formets -- OGNs, digital -- seem to be inevitable: