About a month ago, Steve asked me who my favourite comic creators were, and horrible as I am at answering on the spot questions, I did manage to provide him with one name: Julia Gfrorer. If you follow mainstream comics, your most beloved authors put out work regularly, but at indie central, you get a mini-comic or a book a year, with perhaps a few contributions to anthologies. Despite this, Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art.
She also manages the seemingly possible: discussing sex in a way that’s interesting, sexy, varying degrees of disturbing, and all disgusting fluids at the same time: her work is never patronising or affected. Her excellent first longer length comic, Black is the Colour, is due to be published by Fantagraphics in autumn, and you can currently read it in full over at the Study Group Comics site, and hopefully that should be enough to convince you to pick up a print copy when it’s out!
Here’s a sneak peek from an upcoming interview with The Beat, where Gfrorer talks about how she ‘got into comics’:
‘When I moved to Portland in 2007, I had just made a mini called “How Life Became Unbearable,” about Saint Francis of Assisi. I took it to Pony Club Gallery to consign it, and that was how I met Dylan Williams, who was a member then. Around the same time, I was in a show at Launch Pad Gallery, and I was doodling a little comic at the opening, and Sean Christensen zeroed in on me like I had flashed the comix beacon. So those guys were my first friends in my new city, and they introduced me to their friends and encouraged me to be part of their projects, so before I knew it comics were my whole world.’