SDCC ’15: We talk cape snaps, controversy and cons with the Batgirl of Burnside team


At SDCC ’15 I talked with the Burnside Batgirl crew about their creative origins, how the look that launched a thousand cosplays came to be, how to handle creative criticism, and their earliest con experiences.

SDCC ’15: Drawing with Jim Lee – “Do You Know the Difference between Law and Justice?”


By Nick Eskey One of the happy-highlights of San Diego Comic-Con is when DC Comics co-publisher, writer, and artist Jim Lee just sits down and draws. Well he doesn’t just draw. The talented artist also has the chops to be a regular comedian. Every year on Sunday, his “Drawing with Jim Lee” is a highlight […]

SDCC ’15: DC Comics Meets Lego Arts


By Nick Eskey “Lego” is the toy that let’s allows kids and adult to build from premade manuals, or to create out of their imaginations. Complete miniature sized cities, even worlds, can be made. But what about a something larger than life?   Nathan Sawaya is the artist behind the nationwide touring exhibit “The Art […]

Guest commentary: Who Stole Superman’s Undies?

Superman New 52

Guest post by T Campbell.

Can the soul of Western civilization be found in a pair of red briefs? Was our first great superhero at his strongest, his noblest, his superest, before modern interpretations stripped him of his underwear? Is there a connection?

A generation ago, when those red briefs were an inseparable part of Superman’s design, he was the most familiar superhero by a wide margin, leading the field in film adaptations,[1] headlining cartoon shows,[2] and even winning over famous media critics who were fiction writers in their own right. Even now, if you believe superheroes have anything to say to American culture or the human experience, you sort of have to start with him, because he’s the prototype.

Umberto Eco called him “the representative of all his similars” [3] and Harlan Ellison described him as one of “only five fictional creations known to every man, woman, and child on the planet.”[4] Born in the early hours of a visual, easily reproduced medium, he was popular enough to codify most of what being a superhero meant. The Oxford English Dictionary even mentions him by name in its definition of “superhero”:

Jim Lee Joins Grant Morrison on The Multiversity: Mastermen

Grant Morrison’s Multiversity mini-series has proven to be an unexpectedly fun rfrolic thruogh the various realities of DC’s multiverses. Well, perhaps unexpected is not the world, since Morrison actually excels at this kind of thing and he’s does it before —Seven Soldiers—and probably will do it again. Actually, since this has been in the works […]

Jim Lee and Dan Didio speak! About moving, demographics, royalties and more


I imagine that every sentence of this ICv2 interview with DC Comics co-publishers Dan Didio and Jim Lee will be gone over with a fine tooth comb. I think it’s the first time the two have sat down for a somewhat frank interview in six months at least. And what a six months it has been! Certainly, from the scrum of New York Comic Con, the essential public personas come out, Lee, the glass half full cheerleader, DiDio, the without me the glass would break authority figure. Lee addresses the new demographics with a shout out to Batman editor, Mark Doyle, whose future—at DC in Burbank or leaving the company— is still very much up in the air:

31 Days of Halloween SE: The Sandman is back today in SANDMAN OVERTURE #1


He’s back. And he’s being written by his rightful author. The Sandman, one of the most beloved and groundbreaking characters in comics history, the moody member of the Endless who made it safe to be a goth in comics and secured Neil Gaiman as one of the greatest living mythmakers, is returning in a 25th Anniversary […]