§ Many thanks to David Fairbanks, Michael DeLaney, David Nieves and of course, Tireless Torsten Adair for their C2E2 coverage. Sounds like this show has come into its own at last.
§ There were a bajillion comics events this weekend and one of the more oblique was the Brooklyn Zine Fest ; Robyn Chapman has a complete report and says it was her most profitable show since Comic Arts Brooklyn, so in Brooklyn they like ziney comics. That is good.
§ Before the BZF I attended Brain Frame which is kind of a performance art showcase for cartoonists. Some of it was wacky, but some was pretty cool, and there were two giant paper mache feet. Brain Frame is generally located in Chicago and I suggest you check it out if you get a chance.
§ Anne Ishii interviews cartoonist to watch Sophie Yanow about her book War of Streets and Houses (above) which is a startlingly concise examination of urban development, public protest and more.
§ CBR spoke with Fred Van Lente about stuff including his upcoming book How to Make Comics Like the Pros, co-written with Greg Pak:
We take readers from idea to scriptwriting process, pencils, inks, colors, letters, and then we talk about marketing. Greg obviously had a very successful Kickstarter campaign. Ryan and I have had a successful self-publishing company. We’re able to use our joint experience to guide folks from unpublished to published, and then perhaps after that, getting hired by one of the Big Two. We do some of the basic business and math stuff on how to run a self-published comics operation. To answer your question, I wish I had this information before I started doing this, in the ’90s. It would’ve saved me a lot of wasted money and frustration.
§ A spirited debate about Zen Pencils, and that #hate comic he ran a while ago.
§ I enjoyed The Eltingville Club #1 and his review of the book.
Dorkin’s The Eltingville Club #1 should be funny as he skewers fanboys left and right. From lousy comic shops who refuse to carry anything other than Marvel or DC comics to fans who enjoy the act of hating more than anything else, Dorkin viciously attacks the ugliness of fandom. Dorkin has absolutely no sympathy for his characters, only sadness, disappointment and a healthy amount of contempt. They think of themselves as “true fans,” the ones upholding the vigorous standards that any real art form requires. Instead, they’re the ones building up the walls around their precious love, protecting it from the “fake” fanboys and fangirls. When one of them finally gets a job in a comic shop, for lousy pay and work, it’s the culmination of a little life as he’s reached the peak of existence, just like that high school quarterback who has no dreams beyond becoming the starter and winning the state championship.
§ In comic book FIGHT news, there was this, which you may have seen some people talking about on Twitter the last few days. Dan Nadel accused Scott McCloud and First Second of making shitty comic, and used an ableist term. I think First Second has had its share of clunkers over the years, but no way is This One Summer by Mariko Tamaki and Jillian Tamaki shitty. But, you know, something to talk about!