Disclosure: I was one of the judges for this award. And I couldn’t be happier that Magruder won.
§ High Moon, the werewolf/cowboy comic by David Gallaher and Steve Ellis is back. After running on DC’s Zuda webcomic site (remember that?) and seeing a print edition, four new pages will be posted every Monday, in a mobile responsive interface, and available on Tapastic and Comixology as well. Nerdist has a preview , and […]
According to a news blast they just sent out, Hiveworks, a digital comics portal, had 12,000,000 users in January—alst year it had a total of 65,000,000, so it’s on track for a lot of growth. But what kind of growth? According to their about page, “Hiveworks is a creator owned publisher and studio that helps webcomic and online media creators turn their creative endeavors into sustainable businesses. We serve as mentors and as a home for many comics.”
The New York Times has been dabbling in “future comics” type stuff over the past year orzo, and they se Lille Carré up to bat and she hits a home run with The Bloody Footprint an inquiry into memory and and identity that cleverly uses the scroll and gif panels for an effect distanced enough for memory and sharp enough for contemplation.
Streaming anime service Crunchyroll is getting into the original webcomic game with a new “Crunchyroll Originals” program, and it kicks off with HYPERSONIC music club by artist Hiroyuki Takahashi. The story line involves world of tomorrow young cyborgs fighting a mysterious conspiracy led by monster girls. Just a day at the office. Takahashi’s work is a mix of manga and music influences, and his work has a colorful explosive effect just right for hidef computer screen.
Carver is a new project by cartoonist Christopher Hunt, a talented artist whose been been seen in Dark Horse, 12 Reasons To Die, Escapo and elsewhere. But Carver is his passion project, a story that starts in 1913 Paris with Carver himself, a man with a mysterious past, and skills with both his fists and with the ladies. It’s adventurous, romantic and ready to rock and roll. You can read the first chapter here or watch the teaser
Long running—since 2004—and very popular webcomic Girls with Slingshots will be drawing to a close in the next few months, as announced in the strip and an essay. Creator Danielle Corsetto will be taking some time off to further her art education, but she doubts that it’s the last we’ve seen of the characters in […]
Another neo classic comic for the hols as Jim Rugg and Brian Maruca’s homeless crimefighting skateboarder, Street Angel, teams with Santa on a brief adventure to find some missing reindeer in a bad neighborhood. It’s all courtesy of Boing Boing, which is running new Street Angel comics regularly. And if you don’t have it already, […]
Every year cartoonist Kate Beaton returns to her parents house in the maritimes for the holidays, and the series of hilarious and touching comics that result are getting to be a holiday tradition, as the intersection of parental concern and parental eccentricities combine to form HUMOR. IT’s an experience that many of us are going […]
The federal government is suing NYC over the treatment of teen-aged inmates at the legendary—and not in a good way— Riker’s Island detention facility. The federal government plans to file a lawsuit against New York City alleging “widespread civil rights violations” against teen inmates at Rikers Island. The suit comes on the heels of a blistering […]
Illustrated version of real torture techniques used by REAL CIA operatives drawn in an old school Basil Wolverton style for added punch.
As long as there have been comics, there have been people imagining what happens when Superman and Lois Lane have sex. Larry Niven’s “Man of Steel, Woman of Kleenex” set the standard, with a sobering, scientific look at Kal-El’s supersonic baby paste, and the potentially horrific effects of a human/Kryptonian hybrid pregnancy. And now the new artist of Rat Queens made his own little version.
Web serialization of a comic intended for print is one of the standard models of comics production now (Although it still isn';t profitable but that’s a whole other post) and here’s avery insightful post by Ben Towle on the conclusion of his webcomic, Oyster War. I’ve been enjoying his account of local skirmishes between 19th century Chesapeake Bay oyster farmers since he started it in 2008, and much has changed in how he put the comics out in that period, including the rise of Tumblr and yet more social media. Towle offers some VERY practical advice including how running it on GoComics affected the comics, mistakes in character design and URLS (get a separate URL for your comic) and also preparing for print: