David Harper explains what made him bring the website back, creating a subscription revenue model, and why Heidi was right.
Matt Chats: J.M. DeMatteis on Girl in the Bay, Reuniting with Karen Berger, and Reflection Leading to Story
The comics veteran J.M. DeMatteis discusses the genesis and development of his new series
Interview: Cullen Bunn, Brian Hurtt, and Tyler Crook on New Collaboration with Dark Horse’s Manor Black
The creative team talks about their collaboration and history together
Matt Chats: Jim Zub on STONE STAR, YA Comics, and Making His Marvel
Jim Zub chats about his new science-fantasy series
MATT CHATS: Cullen Bunn on How His Comics Come Together, Diversifying His Output, and What Finally Brought Him to Image
Cullen chats about why he prefers to make comics for multiple publishers, the development process, and how an idea becomes a comic book.
Matt Chats: Aaron Alexovich Shares How IT’S NOT SCARY Taps into His Fears and Describes Adjustment from Animation to App Development.
INVADER ZIM animator Alex Alexovich discusses passion project IT’S NOT SCARY, the children’s book and the interactive app, and how he channels his fears into his art.
Matt Chats: Shawn Daley on Samurai Grandpa, Ogre, and Learning From Every Creation
Shawn Daley discusses making Samurai Grandpa and Ogre for Source Point Press and what keeps himself energized and driven to create
Matt Chats: Rob Guillory on Exploring His Roots, the Balance Between Horror and Humor, and Reinventing FARMHAND with Every Arc
Rob Guillory opens up about how Farmhand ups the ante with its next volume, his desire to keep reinventing the series, and how it’s a story of fathers and sons.
Matt Chats: Stephen Mooney Talks Half Past Danger, Comic Book Storytelling, and Why Ireland is a Hub for Talented Artists
Half Past Danger and Nightwing artist Stephen Mooney chats about his approach to making comics and growing as a cartoonist.
Matt Chats: Chris Sebela on Mount Everest thriller High Crimes, Telling Shorter Stories, and Coming Home to Image
Chris Sebela discusses the rerelease of High Crimes, the comic that put him and artist Ibrahim Moustafa on the map, about the symbolism of Everest, optioning his work, and the realities of making comics.
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