Tag: DC

And here's one more trailer courtesy of David Macho -- this time for THE GRIFTER #1 by Nathan Edmondson and Cafu.

Continuing the trend of artist-made promotional materials, STATIC SHOCK artist Scott McDaniel has also made a trailer for the book, which goes on sale on 9/7.

Over at the Source blog, DC's braintrust shared their hopes for the relaunch hitting tonight. Including Dan DiDio:

Spanish comics enabler David Macho has been doing a great job of promoting the DC relaunch comics his stable of artists is involved with, last week via tons of preview art. This week he's doing somethign even more ambitious -- trailers! And not motion comics trailers, either. Here's the one for STORMWATCH by Paul Cornell and Miguel Sepúlveda.

After a hurricane, the sun usually comes out resulting in sparkling skies for the clean-up. As the East Coast attempts to clean up and dry off from a storm that could have been much worse (but was still pretty bad in spots) we wake up to a fairly epochal week in the history of comics. Because the internet wasn't around, we didn't know that the 1980 arrival of SUPERBOY SPECTACULAR or DAZZLER #1 -- the first comics produced by DC and Marvel that were direct market-only -- would mark the beginning of a whole new era for the comics industry, and -- despite the protestations of imminent death at every turn -- usher in a era of undreamed of creative fertility and energy. Wednesday at 12:01 am the new era begins. Not the era of the New 52 -- despite any declarations to the contrary, that's really business as usual, just jump started in the manner of a car battery. No, it's the era of digital comics. While everyone has been transfixed over whether GREEN LANTERN by Geoff Johns, Doug Mahnke and Christian Alamy will be better than GREEN LANTERN by Geoff Johns, Doug Mahnke and Christian Alamy; or how Tony Daniels' DETECTIVE COMICS is going to vastly improve on his Batman comics, the real revolution has quietly been dawning on retailers and readers: DC's decision to go with simultaneous digital and print release of their comics.

With both their #3 characters, Wonder Woman and Green Lantern, sitting on the bench in the Hollywood Bowl for now, DC Entertainment must turn to their thousands of other characters for someone to enter the game and score some points. Luckily there are many of them, and several are as colorful as Deadman, who is being developed as a possible TV show for the CW. 'Supernatural' producer Eric Kripke is doing the developing for Warner Bros TV.

Initial orders for The New 52 are in and JLA #1 has more than 200,000 pre-orders, and six other #1s have more than 100,000 pre-orders.

As usual Warren Ellis says what everyone else is thinking (or maybe blogging) -- the fact that age 40+ comics fans think the New 52 is a horrible idea may be a sign it's working.

DC has posted a list of events for the launch of the New 52, including Midnight Madness at Midtown Comics which will feature Jim Lee and Geoff Johns signings JLA #1. Sounds like quite the hootnanny.

by Marc-Oliver Frisch The countdown to DC's big relaunch continued in June with a whole lot of Flashpoint tie-in books -- few of which seem to have stood out in any way to retailers, if the sales figures are any indication. Given that the upcoming relaunch titles are drawing on the same pool of creators, characters and concepts, that's not ideal for DC. If it's asking too much of readers and retailers to pick and choose among 16 titles of a certain mold, putting out 52 of them at once seems ill-advised. Over at the publisher's Vertigo imprint, meanwhile, almost half the current ongoing series are about to end within the next year. There's still plenty of time for Vertigo to announce replacements, certainly. But in combination with the recent WildStorm shutdown and the re-absorption of a number of key Vertigo properties into the DC Universe line, there seems to be a lot less patience than there used to be at DC for material that's not expected to immediately do well in the direct market.

DC has been promising a HUGE marketing campaign for the New 52 launching in just a few trembling weeks. And now the first ad is online, but not embeddable yet. (Drat.) HEro Complex is showing a 30-second version which will be shown in movie theaters as part of National CineMedia’s “FirstLook” ad block -- you know, in between the ads for Fanta and something starring Ashton Kitcher.

My last post explored how continuities between the cover image of Action Comics #1 and subsequent material could give DC a substantial part of the copyright in the original Superman.  One question left unaddressed, however, was the issue of Clark Kent, not to mention other key elements of Superman’s character and mythos appearing in that historic first issue. In this post, let’s take a quick look at that question and the role it could play in bringing this case to an end.