Tag: Marvel

Lokis, Storm Dogs, Hepzibahs, Mark Millar, Publishers and Fans. Kapow Comic Convention 2012: what did we learn?

It's all coming together now, isn't it? Marvel has just sent out the following advisory:

Tune into ABC at 11a/10a E/C tomorrow as the hosts of ABC’s The View exclusively reveal a major Marvel announcement! This is your first chance to get a look at the moment in Astonishing X-Men #50 that will have everyone talking!

By J. M. Walter, via Cartoon Brew.

DAREDEVIL continues to be the superhero book that proves that "nice art" can be better than "house style" as Mike Allred takes over for an issue. Mark Waid continues to write.

The "Upfronts" have taken/are taking place somewhere in Hollywood and New York and although it sounds like a bra convention, what it really means is the networks are parading their new shows for 2012-13 in front of TV reporters. The big comics news was a greenlight for the Green Arrow TV show—minus the arrow—but Marvel stuff also has some motion.

Jason, the great cartoonist of I KILLED ADOLF HITLER, ATHOS IN AMERICA, and so on, is the person who didn't like THE AVENGERS:

Why not get that smell of burnt Watchmen toast out of your pores by indulging in some Avengers perfume?

Marvel is having another news-breaking conference call this afternoon, and we'll have all the details soonish, but it has to do with The First X-Men, and involves Neal Adams and Christos Gage. And here are the covers.

After previous shooting sprees from Punisher and stabbing sprees from Wolverine, Marvel decide to combine the two for their new miniseries 'Deadpool Kills the Marvel Universe'. Stabblam!

Marvel release a new X-Men teaser image, create a sensational wall of vagueness as to what said image means

While THE AVENGERS has been hailed as a feel-good ball of action-comedy that kicks off the summer with smiles and cheers, in one regard it is a bit unsettling. You see, it is yet another in a long, long line of movies that has trashed Manhattan real estate in a willy-nilly fashion. For about a hot minute after 9/11, destroying Manhattan in entertainment was considered crass—who needed fakery, when you had the real thing?—however, it soon came into vogue again as a symbol of the unsettled post 9/11 era.

In an article that starts off looking at the possibility that Marvel's Kevin Feige will be the new head of Disney Studios, replacing departed Rich Ross, Kevin Melrose distills more than 20 years of Marvel history, such as how they came to have their own studio.