Business News

How many statistics can one news day handle? DC has just released results from their Retailer Survey which they launched in conjunction with the New 52. As we noted at the time, the survey was aimed at gauging interest in each and every New 52 title, as well as general readership demographics. As such, it represents the most comprehensive reader survey a comics company has made in some time. While it's very New 52-centric, it does reveal a lot. While DC has released their own bullet points, which we've shown below, ICv2 has more info and an interview with John Rood. You'll want to head over there and digest the whole thing. But here's the broad picture:

While we all contemplate the various issues regarding revenue for comics and where it will come from, let's look at where we all assume it will be going: some variant of streaming content. With Apple—and the rest of the market —doing everything they can to kill off the DVD and "the cloud' becoming the place from whence all jollies will emerge, it is still not a great source of revenue for the big players like Netflix and Spotify.

Lost in the storms of outrage over every boob shot and inker change at various superheroes comics is the real underreported story of the last six months; the decline in graphic novel sales and the concurrent decline of manga. While the former is definitely partly caused by the latter and both are undoubtedly influenced by the bankruptcy of Borders, the full causes behind both have yet to be fully analyzed. The manga side of the equation is covered in depth however in a lengthy column by Jason Thompson at io9 called Why Manga Publishing Is Dying (And How It Could Get Better). Thompson is no stranger to the manga field, having authored the essential reference Manga: The Complete Guide and the manga King of RPGs for TokyoPop. So his analysis is well worth following:

The Beat has now received Alex de Campi's rebuttal to James Hodgkin's statement on being fired from ASHES, the graphic novel project they got funded on Kickstarter for $32,000. I said I would have my comments, and they are sad ones. I'm an admirer of both creators involved here -- professionally and personally. But if there was ever a case of he said/she said this is it. "Creative differences" indeed. The whole thing reminds me (for the old timers out there) of D'arc Tangent, a long ago collaboration between Phil Foglio and Freff which dissolved into "creative differences," never to be seen again.

Artist Jimmy Broxton/James Hodgkins has broken his silence about the ASHES split.

Although some websites prefer not to use sources, it is our policy at The Beat to link away. Thus we can confirm that it is indeed true that Warners has applied for trademark registry on a new logo, as you can see above. The trademark is in black and white so that any color can be applied. "Color is not claimed as a feature of the mark. The mark consists of the letter "D" flipping back to reveal the letter "C" and DC ENTERTAINMENT." To be honest, when we first thought this, we suspected it was a new logo for DC shoes. But no. As others have commented, this "peel back" logo makes the much-mocked swish — introduced in 2005 — look like the Milton Glaser-designed original in terms of readability.

The end of 2011 was a time of turmoil for the brand known as Wizard. Founder Gareb Shamus was forced out by his own board, and the new board committed to mending fences and resurrecting the media end of the brand to go along with the successful convention business. Now the company's annual report has just been posted and sadly for snoopers, the financials only go up to the end of 2010. However there is lots of other interesting reading, including the difficulty of running a web-based media enterprise -- it's not making any money, which will surprise no one -- and the convention business -- only Chicago and Philadelphia are profitable with the other events losing money.

As we've mentioned here several times, there have been no more important graphic novels published in this century than PERSEPOLIS by Marjane Satrapi and FUN HOME by Alison Bechdel. Both found large audiences well beyond the traditional ones for comics, and both have become oft-imitated -- but never duplicated -- by book publishers trying to cash in on the "graphic novel" trend. (The number of graphic autobiographies exploring ethnic roots alone is staggering.)

Well, that didn't take long. 2012 has claimed its first publishing casualty as Bandai Entertainment has announced they will be canceling their manga and home entertainment publishing to focus on licensing their brands as they undergo a restructuring. Their Facebook and Twitter accounts will also be shut down.

Since everyone is always comparing the comics business to the music business in terms of retail erosion, howabout looking at a music success story? The New York Times has a profile of musician Cee Lo Green explaining how, despite the economic decimation in the music industry, he's been able to make some $20 million this year by rigorously branding himself and expanding his activities to including numerous TV hosting gigs, merchandising and Vegas. Along the way some interesting iTunes numbers are dropped. Although "F&^% You," Cee Lo's anthemic yet catchy song of moving on was downloaded some 5.3 million times in the US, that doesn't mean he made $5 million from it.

Wizard World without Gareb Shamus. The entire idea would have seemed ridiculous until just a few days ago when an SEC filing revealed that Shamus, the owner and founder of the company, had been removed as CEO. It was startling news which left everyone wondering what would become of the Wizard brand — once mighty in both media coverage and entertainment shows. Answers are beginning to emerge. In an interview with The Beat, Wizard’s executive chairman Mike Mathews revealed that a new era has already begun at Wizard World, which will include outreach to the entire industry in a move to repair damaged relationships with both other industry players and fans. In one of the most notorious examples of the bad blood which the old Wizard had given rise to, subscribers to the print magazine had not been given any make-up subscriptions for issues paid for but never mailed. However, according to Mathews, a letter is being sent out to old subscribers offering them a $100 credit towards Wizard shows.

The Valiant comics relaunch has been brewing for a while, with some hires and much consultation, but they've just let the cat out of the bag -- their new line is expected to launch next May, with a Free Comic Book Day preview leading the way. The preview will feature X-O MANOWAR, BLOODSHOT, HARBINGER, and probably some other Valiant favorites. The creatives teams haven't been announced but the preview over is by Jelena Kevic-Djurdjevic. Valiant has also hired Hunter Gorinson as Marketing & Communications Manager and Atom Freeman as Senior Sales Representative in addition to Warren Simon as Executive Editor, so they're putting together a pretty good team.