Interviews

Among other similar triumphs, letterer Joe Caramagna has recently become the most prominent letterer in Amazing Spider-Man history, having now worked on over 100...

The disintegration of the newspaper business continued this week when the Syracuse Post-Standard announced it was going to a three-times-a-week schedule and laying off...

At this year's SPX, London's Nobrow Press booth was indeed one of the shining surprises of the weekend. Filled with some of the most...

In advice to an aspiring cartoonist, ABA finalist Gene Luen Yang lays out the dichotomy of career paths: You have to decide whether self-expression is...

Since 2002, Matt Smith has been the editor for 2000AD, the mostly-crazed British sci-fi anthology magazine which first appeared on shelves over 35 years...

[Multiple Eisner Award winning cartoonist  Matt Wagner has long been known for his sure hand with adventure comics; the breadth of imagination for his signature creations Mage and Grendel and his distinctive re-imaginings of Batman in various titles over the years. Now he's imagining for the first time John Tower, a new character created by Legendary Pictures studio head Thomas Tull and debuting this week as part of the new Legendary Comics line. THE TOWER CHRONICLES: GEISTHAWK #1 is being published in the "prestige" format—a squarebound 64 page comics—well-known to 90s comics readers but not much used today. But it seems appropriate for the story that Wagner is telling, along with artist Simon Bisley inker Rodney Ramos and colorist Ryan Brown. In the following interview Wagner walks us through the process of developing John Tower and talks about his entire approach to making comics. We previously talked to Legendary's COO Tim Connors here. ]

[You can't run a comics company without making some waves, and the name Bill Jemas still conjures up strong reactions from many who were around when he ran Marvel from 2000-2004. Jemas, along with Joe Quesada, oversaw a period of revolution and rebirth for Marvel as they started the Ultimates line and made many other business changes. Controversial at the time, Ultimization and other bold moves definitely put Marvel back in the game and provided a blueprint for future company-wide changes—as well as making Brian Michael Bendis, Mark Millar and J. Michael Straczynski household names in households where comics are read.

Beat reporter Alexander Añe caught up with Mark Waid at the Baltimore ComicCon and asked him about his current work, from Daredevil, which has been hoovering up every comics award in town, to Insufferable, Waid's webcomic currently running on Thrillbent.

By Steve Morris We're returning to Leeds for a second time this week (Leeds Week!), as the award winning store OK Comics celebrates ten years in business today. The...

By Steve Morris The Thought Bubble Convention is considered to be one of the strongest in the UK, emphasising comics ahead of film or television....

By Steve Morris The Thought Bubble Convention is considered to be one of the strongest in the UK, emphasising comics ahead of film or television....

One of the topics we've all had our eyes on here at Creator Watch 2012 is the Jim Starlin Situation. In brief, as you all know, Thanos was teased as a villain at the end of THE AVENGERS, and the announced Guardians of the Galaxy seems to be setting up some kind of cosmic menace for Marvel's movie universe. And it just so happens that Thanos -- and Gamora, who is a member of the GotG -- were both created by Starlin as part of his run on Warlock. In the case of Thanos, Starlin has posted evidence showing that he created the character prior to working at Marvel. And when asked about the character's appearance in the third highest grossing movie of all time, it turned out that he had been in the dark about it. As if that wasn't ominous enough, a Thanos miniseries to be written by Joe Keatinge was announced with great fanfare and then very hastily canceled, with no reason given, leaving room for all kinds of speculation that the character might be in some kind of ownership tussle.