Big Two Comics

How a toxic history of harassment has damaged the comics industry

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At the recently concluded Small Press Expo in Bethesda a very cool thing happened. A bunch of awards were presented to several talented, unique cartoonists who are turning out though provoking, beautifully crafted work, influential work. The winners were all popular and well deserved. And they all happened to be women. It was a thing, for sure, and much talked about. What struck me, first off, was just how strong the work was–Sophie Goldstein's multi leveled future history of a world where having a baby became a rebellious act, Emily Carroll's mastery of horror and structure, Eleanor Davis's powerful examination of self-sabotaging quests for self-esteem in many settings. The other thing that struck me was the contrast with the other conversations I was having at the show. Talking with people I used to work with in the "mainstream" comics industry about the long lists of men who would never have given Goldstein, Carroll or Davis a shot at telling their stories. Because they are women, and those people didn't think women could make good comics.

DC’s $4.99 Line Is Already Here

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With all the talk about comics prices, the number of $4.99 #1 issues in the Marvel relaunch and the general chaos over at DC...

New Black Lightning Archive: DC, Tony Isabella Reconcile

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"Dogs and cats, living together!" - that's what immediately popped into my mind yesterday when I read Tony Isabella praising DC on Facebook for...

All-New, All-Different Avengers Assemble with Kubert, Ross and Waid

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When Marvel takes news to big outlets like The Wall Street Journal, they usually have something sizable to announce, a new artist for the...

Jeph Loeb and Tim Sale’s Long Lost ‘Captain America: White’ to Begin in September

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In the long forgotten year of 2008, Captain America: White #0 washed up against the shores of time.  Traditionally, zero issues herald the arrival of...

BookCon 2015: The Con Expert Gets Conned and Learns a Lesson in Management

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Last Saturday, I headed to the NYC Javits Center to spend a day at BookCon 2015, part of a five day publishing industry extravaganza....

UPDATED: DC to Begin Placing Ads on Story Pages

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UPDATE 2:  According to sources inside DC, the half-page ads will only appear in books releasing this June.  This makes the advertising experiment concurrent...

Connor Willumsen on Marvel’s ban on implying “a blast in the can”

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One of today's most iconoclastic cartooning voices is Connor Willumsen, a traveling ninja who periodically busts out experimental and beautiful comics. He's also...

Review: Spider-Gwen #1 Packs a Pun-ch

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200,000 pre-orders and many months in the making, Spider-Gwen #1 has finally arrived, bringing with her vibrant artwork and what is surely an outrageous cell phone bill.

Visit for Poison Ivy, Stay for Black Hand: DC shakes up the New Suicide...

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DC’s New Suicide Squad team is about to get shaken up yet again. In the aftermath of Convergence, DC is rebranding the team with...

Advanced Review: The Unbeatable Squirrel Girl Deals With Serious Matters

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There’s an air of impossibility surrounding this book. It begins with a song and vibrant neon crime fighting. It deflates the hyper-serious and allows for a sense of whimsy. When I started working behind the desk at a comic shop, something like this would have barely snuck through Marvel editorial as a one-shot - a reaction to an audience that had an appetite for Serious Comics about Things That Matter and very little else. Today things are clearly different.

The Beat Podcasts! More To Come: 2014 in Comics

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Brought to you by Publishers Weekly, it's More To Come, the weekly podcast of comics news, interviews and discussion with Calvin Reid, Kate...

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