DrFaustusAU is (as you might guess) an Australian artist. What you might not guess is his specialty—mash-ups in the style of Dr Seuss. He’s previously gained fame for his adaptation of THE CALL OF CTHULHU in Seuss-style, and a series of Batman postcards. And now he’s turned to Iron Man.
We’ve been meaning to write up the disgusting legal maneuver that has left 69-year-old Gary Friedrich owing Marvel $17,000 after a failed attempt to get some ownership of Ghost Rider, a character he co-created back in the ’70s. In a story first reported here by Torsten, Marvel/Disney filed a countersuit for copyright infringement based on Friedrich’s convention appearances selling Ghost Rider-related merchandise. As Daniel Best wrote:
Do not underestimate the influence of Rob Liefeld. Never mind that he’s working on three titles for DC. Never mind that he’s relaunching his old Extreme line at Image with a decidedly more indie creator bent. No, the real influence of Liefeld is evident when you look at the redesigned Power Girl from this just unveiled cover for Worlds’ Finest:
How many statistics can one news day handle? DC has just released results from their Retailer Survey which they launched in conjunction with the New 52. As we noted at the time, the survey was aimed at gauging interest in each and every New 52 title, as well as general readership demographics. As such, it represents the most comprehensive reader survey a comics company has made in some time. While it’s very New 52-centric, it does reveal a lot. While DC has released their own bullet points, which we’ve shown below, ICv2 has more info and an interview with John Rood. You’ll want to head over there and digest the whole thing. But here’s the broad picture:
Even as the success of THE WALKING DEAD across all media has soared—it’s basic cable’s highest rated program—there has always been a bit of a silent partner on the book: co-creator Tony Moore who left the book after six issues. Although credited as co-creator on the series, he’s been noticeably absent from promoting the book or TV series in its recent wild run of success.
And now we know part of the reason why: he’s just filed suit over his share of the profits of the book, profits he claims he has never had an accounting for and which he fraudulently signed away.