Author D.J. Kirkbride has been an important force in the comics’ industry for years now spearheading projects like Amelia Cole for Monkey Brain Comics with Co-Author Adam Knave and artist Nick Brokenshire. As Amelia Cole continued to grow larger, the author then shifted gears along with Adam Knave to work on Never Ending, a book about an immortal superhero. Now the author is going solo, and launching a new title from IDW Comics entitled The Bigger Bang, a story about a second of the fabled Big Bang events spawning a Superhuman golden age type hero. Through the unique vision of artist Vassilis Gogtzilas, the two are likely going to craft a superhero tale unlike any other with The Bigger Bang. Author Kirkbride shared some further insight into the project:
Where did your interest in Superheroes stem from, and what do they mean to you?
There is nary a memory from a time in my life where, if I were being honest, I didn’t wish I was wearing a cape. SUPERMAN: THE MOVIE came out when I was still very new to the world (yeah, I’m old), and it is the basis of my entire outlook on everything somehow. I love heroes, and super ones are, you know, even better. The idea of bigger than life characters helping the regular folk, having epic struggles and battles… what’s not to love?
After NEVER ENDING, why continue to deconstruct the modern Superhero? Is this going to be a better deconstruction of the superhero than WATCHMEN (no pressure or anything)?
THE BIGGER BANG has nothing to do with WATCHMEN. It is as far from “what if superheroes were real?” as a comic could get. In my notebook, I one time wrote “THE BIGGER BANG: A Cosmic Fairy Tale”. That’s what it really is. It is not a deconstruction of anything. I don’t really like taking things I love apart, to be honest. Superheroes are great. I don’t want to pick at them. People much smarter than me already have.
How did the creative team come together?
Vassilis and I met on some anthologies I was editing. We worked together on a short story for an anthology called TITMOUSE MOOK Vol. 2, along with my co-writer pal Adam P. Knave. It was a lot of fun, and we tried to get some other things going that never worked out for whatever reason. After a while of doing our own things, Vass sent us a picture of a big, amazingly over muscled superhero guy floating in space and asked if we wanted to do a cosmic superhero book with him. Adam and I were (and still are) writing AMELIA COLE together, but he was (and still is) also co-writing a series called ARTFUL DAGGERS, plus who knows how many novels and stories and… the guy’s way more prolific than me. So, he didn’t feel he had time. I had plenty and was hungry to try something new, without the crutch of writing with someone way smarter than me, so I went for it. Vass is obviously very involved in the story piecing and development, visually and thematically, plus our IDW editor Justin Eisinger has helped me a great deal, being a sounding board and a source of ideas. And mainly saying, “LESS WORDS, MAN!” which has worked out well, I think.
Is the group worried about the series possibly touching on religious implications, or is the team instead looking at the incident from an alternate history touchstone?
We do go along with the Big Bang origin of life, but I’d be surprised if there was any controversy or anything. This is a crazy science fantasy adventure with far out ideas and drama so I personally find it pretty funny, but we don’t talk about religion at all, actually.
This is D.J. Kirkbride’s first solo writing effort for a while isn’t it? What was it like to tackle a project with fewer collaborators?
Vass and Justin have really helped guide the story with me, and our letterer, Frank Cvetkovic, has helped keep the words and the art together, the glue, honestly. But, to be perfectly frank, it’s been scary. Aside from a few anthology shorts, I’ve co-written all of my comics’ work with Adam. Doing this without him was a challenge I really felt I needed though. He has read different edits of the first issue, because his feedback means a lot to me, but, yeah, I wrote the words without him. It freaked me out and is still freaking me out. The wacky part is that Adam is far better versed in big cosmic comics than I am, and this kind of huge space opera madness is right up his alley, whereas I tend to lean toward smaller, more personal and dialog-heavy writing. How did the team decide that IDW was the right home for the project?
Vass has worked with IDW on a great mini-series called THE ADVENTURES OF AUGUSTA WIND, written by none other than J.M. DeMatteis, one of the best comic writers of all time — no pressure to be his next writer, right? I also work with them on the AMELIA COLE print collections, so it seemed like a good fit. They put out good books, but it wouldn’t have happened without Justin Eisinger. Something about the core of our pitch, the basic idea of this character’s birth causing so much destruction with pseudo-science and fantasy spoke to him, I guess. He championed us, and this book wouldn’t be happening with out that fella.
What does the supporting cast for the book look like?
It’s a diverse group. The lead character, Cosmos, is the only one that looks traditionally human — at least an amazingly muscular human. There’s a kinda heavy, tentacled, green monster in a crown called King Thulu who kind of runs this sector of the multi-verse. His best warrior pilot is a three-eyed darker green lady named Wyan. She’s the character that has maybe the most interesting arc to me, and it grew very organically. There are many other aliens of various shapes and sizes, some of which started with brief descriptions from me, many just visualized from Vass’s amazing mind.
Is it difficult to compress a story into a limited space of pages in four issues after working on the AMELIA COLE series from Monkey Brain?
Actually, AMELIA COLE is the first ongoing series I’ve ever worked on, so that was the challenge at first. Before that, I’d gotten very used to writing really short stories for anthologies. I like stories with endings, even AMELIA COLE will have one someday (hopefully far, FAAAAAAR off into the future), so that’s how we designed and pitched THE BIGGER BANG. We had a story with a beginning, middle, and end. If possible, I’d love to do more one day, but if not, these four issues compose a complete story that I think folks will enjoy. Is Vassilis Gogtzilas’ work completely painted in the title?
No, he is doing pencils, inks, and digital colors for the interiors. The painted covers were his idea, and I love them. It’ll be great seeing it in print and looking at it up close, because he is not a careful, timid painter. You can see the chunks and textures of the paint. It’s really cool. I love all the covers and can’t wait to be able to share them. I think they get better with each issue.
Does his work and style alter from the different projects he draws?
Oh yeah, Vass is eclectic. His style can vary within a project–from page to page. It’s not random. He’s a very emotional artist, and he’s more concerned with how the art FEELS than realism. It’s been an interesting challenge writing for him sometimes because his mind moves so differently than mine. It’s amazing, and I would have never come up with something like this on my own. It is a true collaboration.
When can fans dash out to their local comic book shops to pick up THE BIGGER BANG #1?
Issue 1 is out November 19, 2014. If anyone out there is interested, please pre-order it with item code SEP140487. Pre-orders are way too important, but that’s the way it is. There is a lot of competition for comic shop shelf space, so an indie book like this can use all the pre-help it can get. I’m really excited to see what the reaction will be. We’ve put together something really interesting and fun. I’m happy to get to be a part of it.
Thanks for your time!
Thank YOU, good sir!
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