So yesterday I posted this Instagram View this post on Instagram Watchmen or Fox!!! #nycc #nycc2016 A post shared by The Beat (@comicsbeat) on Oct 6, 2016 at 10:56am PDT Chiding the Watchmen-styled letting used by Fox on their display here at NYCC. Oddly enough later in the night I was told of a […]
Who watches your wallet?
By Anne M Kletcha Deep in the grubby sump of one of those so-called ‘Social Media’ sites, there is a clump of aging comics fanboys called The Really Very Serious Alan Moore Scholars’ Group, known to its sad and lonely adherents as TRVSAMSG. When they’re not annotating everything in sight, or calling down ancient evils […]
The comic book Watchmen, penned by Alan Moore and drawn by artist Dave Gibbons, is one of the most revered books in DC Comics’ nearly century-spanning catalogue. However, their treatment of the work’s creators has always been more than a little murky. Many people both within and outside the industry know that DC’s relationship with Moore […]
“I’m sorry I’m late with my book”, Jimmy Palmiotti said rather humbly, opening a “spotlight” panel on March 31st 2013 at WonderCon, and asked the audience if he ought to put on some “background music”. Amanda Conner, his co-spotlighter, and Palmiotti explained, tongue in cheek, that if the panel appeared “random”, months of deep thought […]
In 1977 Dial Press of New York published Robert Mayer’s first novel, Superfolks. It was, amongst other things, a story of a middle-aged man coming to terms with his life, an enormous collection of 1970s pop-culture references, some now lost to the mists of time, and a satire on certain aspects of the comic superhero, but would probably be largely unheard of these days if it wasn’t for the fact that it is regularly mentioned for its supposed influence on a young Alan Moore and his work, particularly on Watchmen, Marvelman, and his Superman story, Whatever Happened to the Man of Tomorrow? There’s also a suggestion that it had an influence on his proposal to DC Comics for the unpublished cross-company ‘event,’ Twilight of the Superheroes. But who’s saying these things, what are they saying, and is any of it actually true?
By Todd Allen
–I learned something new today. Remember how Watchmen started out as a treatment for the Charlton characters DC had purchased? Come to find out out, DC didn’t purchase the rights to all the Charlton characters and Dynamite now has the rights to Peter Cannon/Thunderbolt. As in, the prototype for Watchmen’s Ozymandias.
As a lagniappe to the current “All Things Alan Moore” wiki currently going on in our comments, here’s Pádraig Ó Méalóid with a little-remembered crossover between the Watchmen and the Question…that took place all the way back in
THE QUESTION #17, June 1988. Think of it as “The Five Doctors” of this particular timeline.
As you may recall people are *ahem* sharply divided on the topic of DC Comics doing a Watchmen prequel. Certainly, Watchmen author Alan Moore doesn’t think it should happen. Over in world of film and prose, the opposite thing is happening: Paramount Pictures is suing to prevent a new Godfather prose sequel and “protect the integrity and reputation of The Godfather trilogy.”
Comics mastermind Alan Moore, creator of creator of WATCHMEN, not to mention V FOR VENDETTA, LEAGUE OF EXTRAORDINARY GENTLEMEN, and many, many more says he’s told DC Comics to go jump in a lake. According to Moore in an interview with Wired’s blog, Underwire, DC offered him the rights to WATCHMEN back in exchange for writing “some dopey sequels and prequels”.