§ The secret origin of Top Shelf’s Brett Warnock:
[On his schooling] Very broad, very general. Design courses, fundamental courses, plus just me getting stoned and drawing on my own time. That was its own education. But you gotta understand, I think this is still true in art departments, but especially then in the mid- to late-‘80s, if you were a comic book fan and you made that known in the art department, in any classes, painting classes, illustration classes, whatever, boy that was frowned upon. That was so not a legitimate form of art. It’s funny, I always thought that when and if comics broke into the college scene, it would be through the art department and it’s not, it’s been through the lit department, and that’s been a surprise for me. Looking back, it makes sense, because it’s about stories and storytelling, not making pictures, per se.
§ Tim O’Neil at Pop Matters looks at the impact of Todd Hignite’s Comic Art magazine:
In this respect, Comics Art was actually ahead of its time, proposing as it did a much more holistic vision of the medium. Admittedly, I doubt at this point that it’s had much of an influence beyond the small market of “art”-comics aficionados, but within that supposedly monolithic group there is actually a far more accepting middle ground than most believed existed. It’s far more healthy for the art form that the supposed divisions between “high” and “low” art remain as pliable as possible.
§ In Indonesia, a local artist gets some artistic props, but some fashion don’ts
That is an episode from the comic book Deviant Execution by Marico, a newcomer to the world of comics. It was his first comic, printed in 2007. His lack of experience, however, is not evident in the comic, which has a unique storyline. Deviant is a profession that is a product of graphic designer Marico’s imagination. A profession that will exist in the 28th century, according to Marico, a skinny guy who has a penchant for hats.
§ Minneapolis–a mecca for cartoonists?
The National Post wonders if Julie Doucet is kinda of Bobby Fischer of comics only, not, you know insane in the aptly-titled “A life less cartoony”:
Drawn & Quarterly publisher Chris Oliveros has been impressed by her post-comic career: “It’s really funny to see how she keeps on progressing,” he says. “She certainly has not stayed in one place.”
But had she stayed in one place — comics — it’s likely she would be as well known as some of her Canadian contemporaries, such as Chester Brown and Seth. Oliveros remarks that “had she done a graphic novel now, she probably would have had maybe some more mainstream acceptance.” Birkemoe calls her “very much ahead of her time.”
Doucet, though, doesn’t feel like she missed a gold rush.
“Oh, I really don’t care about that. I felt so trapped,” she says. “You know, when you’re a cartoonist it’s like being a priest: If you quit, everybody around you goes crazy I mean, when you’re a cartoonist you’re supposed to be doing the same thing over and over again until you die. And I didn’t want that. It was very frustrating and I needed to try a different thing.”
It’s true…about Minneapolis, I mean.
It is indeed true… here’s an article on the Cartoonist Conspiracy’s Minneapolis activities over the last five years if you want some further evidence…
http://www.cartoonistconspiracy.com/blog/2007/12/5-highlights-of-5-years-of.php
Minneapolis is a mecca period.
You can buy a nice house for between 100>200k and still live in a city. Actually there are about 20 pages of sub $80k house on edinarealty.com. Not great neighborhoods…need some love..but it’s where Zander, Vinny, and I live and good for the artist/hermit. Most of my late 20 early 30 year old friends own homes, some in the their second home.
Most literate city. (Seattle nabbed that one last year but we got it back :)) Top Ten city for entrepreneurship/corporate headquarters. (General Mills, Target, Best Buy, 3m etc etc) An enormous number of art grants founded by AG tycoons in the 1800s. Four largest advertising city in US. Newsweek called the city itself #1 in the top 12 things in the world of design. Most participants in National Night Out. Forbes 2007 most affordable places to live. Second only to NY in live theater per capita. Kiplinger’s #2 “Smart City” Popular Science “Top Tech City.” Three animation degree programs. MCAD four year comic degree program.
More importantly than the number of professionals is that it’s a SOCIAL city. Where status isn’t taken into account. Unlike what I hear from other towns, status isn’t taken into account. It’s really easy to make friends here.
Vibrant theater/actor/art film scene.
Cartoonist scene – International Cartoonist Conspiracy, Local Conventions.
Interactive/tech/programming. (if you know ActionScript…move here and live large)
Video Games – IDGA
Advertising (and the A/V support structure) – Adfed, GAG, ICFP, etc. etc.
Rock Poster – Sexy Poster Artists of Minnesota
Indy Gallery Space
Design Scene is huge.
Role Playing Gamers
Craft Culture
Hardcore bike scene.
Comedians – Acme, Dudly Riggs, Commercials
Writers – Center for Book Arts, lots of writer orgs.
The key to it all is that you can live in the fast lane or slow lane at your leisure without moving.
Upon reading my last comment….you may be taking the “Most Literate City” recognition with a grain of salt.