Interview: Michael McDermott on Cooking His “Imaginary Drugs”
I was lucky enough to come across the Kickstarter for indy anthology Imaginary Drugs earlier this year. I received my PDF copy a few months ago...
Jim Lee and Dan Didio speak! About moving, demographics, royalties and more
I imagine that every sentence of this ICv2 interview with DC Comics co-publishers Dan Didio and Jim Lee will be gone over with a fine tooth comb. I think it's the first time the two have sat down for a somewhat frank interview in six months at least. And what a six months it has been! Certainly, from the scrum of New York Comic Con, the essential public personas come out, Lee, the glass half full cheerleader, DiDio, the without me the glass would break authority figure. Lee addresses the new demographics with a shout out to Batman editor, Mark Doyle, whose future—at DC in Burbank or leaving the company— is still very much up in the air:
Jason Shiga’s Patreon for Demon reaches $1000 a month
A lot of cartoonists—and many blogs, ahem—have taken to PAtreon as a means to finance the creation of comics. There are quite a few (a round up post is called for, maybe later this week) and Patreon doesn't make it clear who makes the most, the way Kickstarter does, but Jason Shiga recently hit $1000 a month for his Ignatz winning webcomic Demon. Given his analytic background, there's much of that in the post, but here's an excerpt:
NYCC ’14: Wes Craig Double-Downs with Dynamic Panels and Recurring Symbols in ‘Deadly Class’...
by Zachary Clemente
In the incredibly crowded Artist Alley of New York Comic-Con, I sat down with illustrator Wes Craig to talk about his work...
NYCC ’14: Paul Pope Talks Aurora West & Collaboration In His World
by Zachary Clemente
As the first day of New York Comic-Con came to close and exhibitors began shutting down their booths, I conducted my third...
NYCC ’14: Frank Quitely on Visual Process and Cyclical Influence
by Zachary Clemente
On the extremely busy Saturday of this past weekend's New York Comic-Con, I had the sublime honor of interviewing Frank Quitely (pen name...
NYCC ’14: A Conversation with Marc Evan Jackson on the Detroit Creativity Project
by Zachary Clemente
Above and away from the crowds of this year's New York Comic-Con, I had the pleasure of sitting down with Marc Evan Jackson...
Interview: Dark Horse Publish Sally Heathcote, Suffragette GN – Kate Charlesworth, Artist, Speaks!
Dark Horse Comics have published the US edition of Mary & Bryan Talbot and Kate Charlesworth's Sally Heathcote, Suffragette, as of a few weeks...
Jen Wang Aims To Give Gaming A Real World Context For ‘In Real Life’
By Kyle Pinion
IN REAL LIFE, a graphic novel collaboration between journalist/author Cory Doctorow and comics creator Jen Wang, centers on a young gamer named...
SPX: Hana Doki Kira – A Beautiful Homage to Shōjo
by Zachary Clemente
While at SPX this year, I was able to grab a quick word with seven amazing cartoonists about their work in Hana Doki...
The Hermit of Shooters Hill – An Interview with Steve Moore, Part 5
Here’s the fifth part of my interview with the late Steve Moore, with more to follow. The first, second, third, and fourth parts are...
Are shifting demographics killing sales of veteran artists at cons?
Last week Denise Dorman, wife of veteran artist Dave Dorman, who is best known for his excellent painted covers, wrote a post on her blogm which is called Comic Book Wife. The post was titled: The Hidden TRUTH About Comic Book Convention Earnings: For Creators, Have Comic Book Conventions JUMPED THE SHARK? in which she pointed out that sales for her husband were off at several shows this year, and given the costs of exhibiting—hotels booths, food, travel—it made more sense to stay at home and do actual money making work.






















