Kibbles 'n' Bits, 5/23/12: Urasawa or Hernandez?
This is a just a mess, due to the pressing matters I alluded to earlier. Man, I sound like Edwin Drood.
Kibbles 'n' Bits, 5/17/12: A bumper crop
Gosh, it's a busy world! Links about Alison Bechdel, Pixar, Urasawa, convention news bits, and so on.
Kibbles 'n' Bits, 4/26/12: "When I hit upon dung beetles, I knew I had...
CinemaCon is here...Neil Gaiman pours bees...Jim Shooter saves comics....
Kibbles 'n' Bits, 4/23/12–From Boston to Dubai
A few links on creators and a roundup of the weekend's comic-cons.
The week in links, April 2-6
Damn, you get sick and a week is gone and you have a whole week's worth of cool stuff you meant to share a long time ago. We're not even going to try to organize this.
Kibbles 'n' Bits, 3/27/12: the secret of comics is The Gag Master
Lots of links to art and stuff which is cool. I think.
Kibbles 'n' Bits, 3/26/12: Jiro Taniguchi in the spotlight
Jiro Taniguchi, the X-Men movie that never was, a stunning shock from DC, and more, more, more.
Kibbles 'n' Bits, 3/13/12: Shall now ye don ye rage face?
Many, many things happened; many were blogged.
Kibbles 'n' Bits – 3/6/12: the Day Bugs Bunny Died A Horrible Death
While America has been been locked in a massive ideological battle over birth control and offensive radio show hosts of late, in Canada, they have even more powerful and shocking issueS that galvanize a nation to action. Namely, network Global TV was forced to apologize for failing to warn viewersthat an episode of Family Guy included a scene where Bugs Bunny died a grisly, lingering death.
Kibbles 'n' Bits, 3/1/12
As usual, we fell behind but it's time to start a BRAND NEW MONTH with all sorts of things to read; plus, something happening right now that is so unbelievable you will not believe it! And, where are the Jewish hotties?
Kibbles 'n' Bits, 2/24/12
§ J. Caleb Mozzocco has a lengthy look at Nancy Goldstein’s Nancy Goldstein’s Jackie Ormes: The First African American Woman Cartoonist:
. Goldstein makes quite clear what an incredible, colorful person Ormes was, and what a fascinating life she lead, but the biographical sections are tantalizing: One may find oneself wanting much more detail, to join Ormes in the newspaper offices or society functions she covered and put on. And while there is an awful lot of comics art reproduced within its pages, but due to the special and financial limitations of this book (it’s not an archival project, after all) and the simple lack of availability of original art, original newspapers her work was published in, or even copies or microfilm of those papers, much (too much) of Ormes’ work is lost to history.
