Dreamy, symbolic, curious, and strange. Pablo by Julie Birmant and Clément Oubrerie is ostensibly the story of Pablo Picasso, a man, a modern artist, and an icon of the 20th century. But it’s a story told from the point of view of Fernande Olivier, also known as Amélie Lang, also known as Madame Paul Percheron, also known as the subject of more than 60 portraits made by Picasso.
Past Aways proves time travel is more a curse than a gift.
The Fox, with story & line art by Dean Haspiel, script by Mark Waid, and colors by Allen Passalaqua, opens in media res with our titular hero tied up, lamenting his bad luck, and wishing for an ibuprofin. It’s a Spider-Man-like How did I get into this mess? inner monologue that introduces a delightfully self-deprecating superhero who’s already in over his head.
The Hellboy universe expands once more with the re-introduction of Frankenstein to Mignola’s ever expanding cast.
Strange small towns commanded by dogmatic despots have long been a staple of post-apocalyptic fare like The Walking Dead. So when Postal # 1 opens on a church sermon delivered by a preacher waving a gun at a man who is bound at the foot of the altar, it seems a familiar scenario. Perhaps this is what the comic wants us to think, lulling us into a false sense of narrative security to contrast with it’s intriguing final pages.
It seems fitting that Fables: The Wolf Among Us is Vertigo’s “first ever digital-first series” according to the publisher’s website. If you can parse that distinction, meaning Vertigo has never before released a comic series in digital format prior to it’s print debut, it makes a strange sort of sense that they chose this particular series to hold the title of first-ever first digital. Fables: The Wolf Among Us #1 is a comic series based on the popular Telltale video game series of the same name, which was itself based on the 14-time Eisner award winning series from creator Bill Willingham.
Star Wars returns to Marvel, and nearly every other ancillary, non-movie-adventure of Luke Skywalker & Co. has been wiped out of continuity. Back in December we knew that Star Wars #1 would be, almost certainly, the biggest-selling issue of the year with 1 million copies ordered by comics retailers and other outlets. The first issue hits stores this week, with launch parties, dozens of variant covers, and a major media push. But what about what’s actually on the page?
To put it simply: this feels like Star Wars.
By Matthew Jent Operation S.I.N. #1 Credits: Writer: Kathryn Immonen Artist: Rich Ellis Colorist: Jordan Byrd Letterer: VC’s Joe Sabino Cover Artist: Michael Komarck Variant Cover Artists: Gabriel Hardman & Jordan Boyd; Skottie Young Publisher: Marvel Comics Genre: Superhero/Spy “Oh God, you meant actual aliens.” Operation: S.I.N. hits shelves today, starring Agent Peggy […]
Who’s Been Polishing Wolverine By David Nieves Written by Charles Soule Art by Nick Bradshaw, Allison Borges Being fans you probably know by now that no one stays dead in comics. Countless characters have come and gone through the revolving door of comic book death. The real payoff for these stories rarely ever happens in […]
As humongous and “earth shattering” as event comics can be they usually aren’t the endgame a publisher has in mind. The payoff usually lies in what comes after, whether it’s in the form of another event or a new series. Unfortunately for Marvel the pattern that’s developed is a stale event followed by a great series; one example that comes to mind was Dark Avengers coming after the Secret Invasion event. Marvel’s latest case, AXIS, while convoluted at times, has set the stage for Tom Taylor to play on the other side of the big two field with Superior Iron Man.