Thor, Iron Man and Cap are shown doing what they do best in these new stills released today.
While you may be in full-on holiday panic mode, there’s always spring…and Halloween. Next spring’s Courtney Crumrin, Volume 1: The Night Things, Special Edition will see the sardonic young monster-hunter in color for the first time. Ted Naifeh’s all ages gothic waif is one of the first — and the best — of this sub-genre of comics, and it looks great in color by Warren Wucinich.
Publisher of the Year candidate Drawn & Quarterly has finally broken the seal on literary comics going digital with a two book deal with Kobo Vox which will see Chester Brown’s LOUIS RIEL and PAYING FOR IT released. According to associate publisher Peggy Burns, the deal is non-exclusive, and next year will see more titles and platforms for D&Q.
Literary comics publishers Fantagraphics and D&Q are along the last holdouts among publishers going digital — partially due to their authors’ ambivalence (or dislike) of the platform — so even this tiny toe-dipping into the digital world represents a big step forward. In this case, Chester Brown actually encouraged the move — and it doesn’t hurt that Kobo is, like D&Q, a Canadian company.
Image Publisher Eric Stephenson gives another one of his candid, informed reviews — one of the bonuses from Image’s solidified spot as the #3 publisher is Stephenson’s increased profile. And even though Image is riding the Walking Dead Wave to increased performance all around, there is always room for improvement, he says, with a new issue of CHEW unavailable from Diamond a week after release and limited support for all-ages material:
We’ll take this occasion of reprinting this year’s Center for Cartoon Studies holiday card by Alexis Frederick-Frost to note that thanks to a 12 hour cable outage on my block I’ve had to repair to the local Not Starbucks for internet. Dear god, this place is a madhouse of men in business suits yapping about plans along with three plucky students from nearby Baruch who looked to have pitched a tent amid empty yogurt containers and one Unabomber type in the back corner typing on a seedy black netbook.