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Classic Comic Compendium: SWAMP THING – BAD SEED, hitting reset

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Swamp Thing - Bad Seed puts part of the genie back in the bottle and deliver a new old-ish status quo for simpler horror.

Classic Comic Compendium: SWAMP THING #129 and the Swamp Opera era

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Swamp Thing #129 signaled the turn in the third act that would lead to the conclusion of that run and period in Swamp Thing's life.
Shade the Changing Man #33

Classic Comic Compendium: SHADE THE CHANGING MAN #33, so underrated

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Shade The Changing Man #33 formed part of the bedrock of reinterpreted characters that laid the foundation for Vertigo.

Classic Comic Compendium: DOOM PATROL #64, making art from weirdness

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Doom Patrol #64 by Pollack, Case, Woch, Ziuko, and Workman kicked off a run that would go on to be transcendent.

Classic Comic Compendium: ANIMAL MAN #57

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Animal Man #57 starts off the book's new Vertigo era at that time with a story that focuses on Buddy's family.
Red Wing

Classic Comic Compendium: THE RED WING is a tale of survival

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The Red Wing stands on its own with a discrete, entertaining story, but it also hints at more and deeper ideas, too.

Classic Comic Compendium: RED MASS FOR MARS from Hickman, Bodenheim

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Inevitability. Destiny. Fate. All of these are core themes in Red Mass for Mars by Hickman, Bodenheim in Red Mass For Mars.

Classic Comic Compendium: TRANSHUMAN, Jonathan Hickman’s funniest comic

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Like Pax Romana before it, Transhuman has the initial seeds of ideas that will appear in different forms in later works.

Classic Comic Compendium: KIRBY – GENESIS

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Whether you're familiar with the source material or not, Kirby - Genesis from Busiek, Ross, Herbert, Andrade, and Bowland is a fascinating read.

Classic Comic Compendium: KINGDOM COME, a timeless story of gods and monsters

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On the concept of legacy that is at the heart of the DC Universe.
Marvels

Classic Comic Compendium: MARVELS and nostalgia

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Feeling nostalgic for a nostalgia piece.
Unstable Molecules

Classic Comic Compendium: FANTASTIC FOUR – UNSTABLE MOLECULES

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A commentary on the social structures that existed at the time of Fantastic Four's creation.

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