Home Publishers Marvel Thor #1: (Not Yet) A New Beginning

Thor #1: (Not Yet) A New Beginning


By Matthew Jent

Thor #1


Writer: Jason Aaron

Artist: Russell Dauterman

Color Artist: Matthew Wilson

Letterer & Production: VC’s Joe Sabino

Cover Artist: Russell Dauterman & Frank Martin

Variant Cover Artists: Sara Pichelli & Laura Martin; Esad Ribic; Andrew Robinson; Alex Ross; Fiona Staples; Skottie Young

Publisher: Marvel Comics


“There must always be a Thor.”

Thor’s gotten a lot of media attention lately, ever since Marvel Comics took to the View to announce that the new Thor would be a woman. It was a bold move to announce this franchise-shifting move on a show whose audience is not necessarily the core audience for what has become one of Marvel’s tentpole characters. But it spoke to a renewed effort to expand Marvel’s audience, and passing the hammer of Thor to a new character is part of the character’s tradition, from Beta Ray Bill to Eric Masterson to, err, Dargo Ktor of the 26th Century.

So here it is. The new series. The new Thor, right there on every single variant cover. The media event!

But, alas — new readers, lapsed readers, fervent Thor fans — if you’re here to see what all of the well-advertised hubbub is about, you’ll have to come back in November. The new Thor? She’s not really in this comic*.

She does show up, eventually. But she doesn’t interact with any other character, her single line of dialogue is spoken in solitude, and she does little more than pose for a glorified cameo. The next issue teaser promises “The Goddess of Thunder in Action!”, as does a USAToday article published this week (“The new female Thor gets into the action in the second issue of her new comic book series”). If you pick up this issue asking yourself, I wonder what the new Thor will be like?, you’re still going to be wondering when the book is over.

So. Now that we’ve established what the issue is not, let’s talk about what it is. After a teaser introducing a familiar threat, the scene shifts to the Moon where the Asgardians are reeling from the events of Original Sin, Marvel’s summertime crossover (written, like this issue, by Jason Aaron). The old Thor (hereafter referred to as He-Thor, since going by this issue alone I can’t tell if he has a secret or alternate identity) remains shaken by a mysterious secret imparted by Nick Fury. He-Thor can’t lift his hammer — nobody can lift the hammer — and Odin (the All-Father) and Freyja (the All-Mother) don’t seem too clear on which one of them is running the show.

He-Thor still answers the call to battle, because despite being unworthy of holding the hammer of Thor, he is still a really strong, really blonde dude. He might have super-strength? He is definitely capable of breathing on the Moon (and under water), but it’s not clear why. Maybe this is Marvel’s Blue Area of the Moon? Introduced way back in Lee & Kirby’s Fantastic Four #13, this is an area of the Moon with a breathable atmosphere, and it was home to the Watcher, a major character in Original Sin. I can extrapolate or assume that kind of information, because I’ve been reading Marvel comics for decades. But if this is a #1 issue (which it is), and if this is a jumping-on point for not only new Thor readers but new comic book readers (which, given the media push this issue receives, it will be), it seems like a major omission from the plot and the setting.

The art by Russell Dauterman and Matthew Wilson is, for the most part, crisp, clear, and fun. The Asgardians look like the fantasy-science heroes they should be, and there’s a Frank Quitely-esqe feel to their facial expressions. But while Quitely is accomplished at illustrating sequential action, Dauterman’s fight scenes can be confusing. It feels like either too much, or not enough, information is conveyed between the panels. On the other hand, the scenes of long dialogue and exposition are never boring, and — seriously — I love Dauterman’s faces. That’s a valuable gift! Wilson’s colors go from poppy and bright to crisply dark, without getting muddy.

It will be fun to see Dauterman and Wilson illustrate the new Thor. Jason Aaron has been writing Thor’s adventures since 2012, and despite a new art team, this is the old Thor’s final issue more than it is the new Thor’s first one. I can’t say if that’s a scripting issue or an editorial one, but Thor #1 has been marketed and advertised as the beginning of a new character and a new era. But so far, it’s the story of the same ol’ Thunder God.

It’s not a bad comic in its own right. The dialogue, even the Asgardian doth-speak, is clear and fun. Godly rivalries are introduced and villainous plots are hatched. The illustration and the colors pop. But despite countless PR assurances that this is no She-Thor, this is Thor — new readers will be forced to ask the question, Why wasn’t she in the book?


*this assumes that the new Thor, in her secret identity, does not appear elsewhere in the issue. There’s only one real option if she does, and it would make some story-sense, but Thor’s identity remains unknown by issue’s end.


  1. The letters column at the end of Thor: God of Thunder #25 states pretty plainly that there is a lot of mystery behind who she is and why she’s now infused with the power of Thor. Giving the game away in the first issue of the new series would be pretty dumb if they’re trying to achieve this sort of build.

  2. There are countless series where the first issue or appearance does not explain the origin of the character. (Wolverine, Nightcrawler, Spider-Man’s new costume, Hobgoblin…)

    Now, imagine Amazing Spider-Man #252, with the cover showing Spider-Man in a black costume. But then you open the comic, and it’s all about Peter Parker adjusting to the time on the Warworld, debriefing himself, and getting back to “normal”. No black costume seen.

  3. I think argument isn’t about them not explaining whats the deal with She-Thor but that she didn’t even appear in this issue.

  4. I don’t necessarily have a strong feeling one way or the other, but the trend I’ve seen over the years when it comes to complaints about things like this is as follows:

    Dear DC/Marvel:
    1. Do not change the hero’s powers.
    2. Do not change the hero’s secret identity or heroic identity.
    3. Do not change the hero’s powers.
    4. Do not change the hero’s costume.
    5. Do not change the hero’s past.
    6. Do not change the hero’s supporting cast.

    However, you can now do whatever you want. Which is most likely having the hero fight a previous villain in a different way or create a new villain for him to fight.

  5. I confess to being disappointed. I’m not a Thor reader, but picked this up to see what they were doing with the new female Thor. I got more information about her out of the cover than I did the contents of the book. I didn’t pick up the new book to read about the old Thor.

  6. @glen simpson – i don’t think that fans are against any of the plot devices that you bring up, per say., i think that fans are just tired of those plot devices being used over and over and over again, with what seems to be increased frequency. i feel that fans are just looking for good stories without all the gimmicks attached. the exception being the recent “superior” spider-man story line, which was done in such a unique way that the fans didn’t seem to mind the hero being replaced yet once again.

  7. Aaron’s run in Thor has been great, but it has now been really damaged by Original Sin. It relies too heavily on the fall-out from that, and the (pretty bad) Thor & Loki crossover.

    Now that it no longer stands alone I’m not sure if I’ll continue with it.

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