Home Comics Review: Injustice Gods Among Us Year Four #1 (Digital) = Buy Me!

Review: Injustice Gods Among Us Year Four #1 (Digital) = Buy Me!

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Injustice Gods Among Us: Year Four #1

 

 

Writer: Brian Buccellato

Art: Bruno Redondo

Inks: Juan Albarrran

Colors: Rex Lokus

Publisher: DC Comics 

 

Since the series inception under writer Tom Taylor, Injustice Gods Among Us digital first book (based on the hit game by Mortal Kombat creator Netherrealm Studios) has been one of the overall best books in DC Comics line up. Now under the meticulous pen of current Detective Comics co-writer Brian Buccellato, Injustice methodically kicks off its Year Four story.

Chapter one is part epilogue along with being part set up as it deals with the aftermath of the destructive battle between Mr. Mxyzptlk and Trigon at the end of Year Three. Superman continues his crusade to save the human race from itself by his iron fist rule, Batman has gone into hiding as he plots his next idea to remove him from power, and all the while Ares schemes to return the worship of mortals to the gods instead of Earth’s metahuman pretenders. Since the series takes place five years before the events of the game, this volume is already hinting at some of the threads that are left to be tied together such as Damian’s transition to Nightwing and Batman’s plan to bring the heroes from the other dimension over.

Buccellato continues to show why he’s one of comics most underrated writers. His understanding of how these characters differ from the regular DCU books is put to use in showing how the cracks in Superman’s regime develop. Hal Jordan and Superman show an intolerance for each other you wouldn’t see anywhere else. His Damian Wayne has a different type of chip on his shoulder compared to the regular DC version. It’s almost like he blames Batman for the actions that led to his killing Dick Grayson and that makes him as far from the boy seeking his father’s approval as you can get.

The art teams seen before in previous issues will be returning to action in Year Four. Issue one features the line work of Bruno Redondo. Out of all the artist the series has seen, Redondo’s work is most representative of the visual world established by Netherrealm in the game.

While this opening isn’t new-reader friendly to those who haven’t read any of the Injustice books or played the game; it’s a great continuation of the events unfolded thus far. Year Four is a carefully paced opening that’s a prime example of the writer’s strengths. Buccellato has a habit of making his characters earn their big moments, which make those points even better reads.

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