§ Wondering about WILSON, the new Dan Clowes GN? Well, here’s a little more info from The New Yorker, courtesy of the D&Q blog.

§ We SWEAR only one more day of San Diego links, unless it’s pants-peeing awesome. But, if like us, you are just now getting back to consistent internet access and want a quick refresher, Chris Marshall at Collected Comics Library has a nice news recap:
Zero, One, Two, Three, Four

§ Sean T. Collins linkblogs so we don’t have to.

§ Fantagraphics’ Jason Miles had a crappy time:

As a Comic Book Salesman at this year’s Comic-Con it was impossible not to feel the crushing presence of the latest and greatest bullshit Hollywood and beyond had to offer and I’m not sure why. Why did this year feel any different from last year, or the year before? Maybe I’ve gone to one-too-many Comic-Cons thus forcing me into a downward spiral of delusion and dread? Or maybe the mainstream acceptance sought by the comics industry at large is really a Trojan Horse? Regardless the cause, there were far too many injustices committed at this year’s Comic-Con and yes I will be pressing charges in future Flog posts.

§ Rob Bricken at Topless Robot sums up this year’s edition of press complaints/whining:

• The worst part of the con was covering the con. Mostly because of free wireless at the San Diego Convention Center, which never loaded a single kilobyte for me. I don’t really blame the con for this; I mean, no one can really prepare for 200,000 nerds suddenly trying to use the same wireless system at once. But it did means every time I wanted to post, I had to truck 10 blocks back to my hotel, furiously write, run back to the con, see some stuff, then run back again. Ugh.
• The other part of the problem was the press pass, which was worthless. Wait, let me correct myself — it was worth a four-day pass, and not a penny more. It let press people into the con for free, but didn’t allow them to get into panels or events — the press had to wait in line like everyone else. I understand a lot of the “press” at the show were knuckleknobs with blogs with a few thousand readers, and they didn’t deserve more access than the regular fans. But I’d much rather there be some kind of criteria that the press needed to meet to get a pass, which would also allow them access to cover the panels — even if I was excluded. The fact that Wired couldn’t get in to see the Iron Man 2 panel still astounds me.

§ Chris Butcher sums up that fact that…only Comic-con can do what Comic-Con does?

Something like SDCC but just for the entertainment industry? It doesn’t exist. The movie studios, the video game producers, the TV Shows and toys and Bud Bundy and all that, they’re coming to the comic book show. SDCC has got all the power, because nothing else like that event exists anywhere (Gareb Shamus tried and clearly failed; Reed is travelling the same road Shamus took). Imagine if SDCC really did take the ideological position of “how does what you do help comics?” with their exhibitors, and charged them accordingly? What if they used ideology as the wedge to expand the show into the parks, into the stadium, into the giant parking lot that’s as big as half the convention centre? Here I Drew A Map. Imagine the best possible things happened! Wouldn’t that be great? Why not work towards the best?

§ People who really had a SWELL time:

Christopher Moonlight

Richard Starkings con PHOTOS.

And who cannot catch the infection of excitement from Cecil Castellucci with a post she calls:Gosh I love you Comic Con! IS the love of a good woman enough to save the show? Tune in next year.


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