[Q:]This fall, a mini-debate popped up on comics Websites about the Best American Comics anthology. Heidi MacDonald, who writes the Beat, asked why more of the comics in that book didn’t tell great stories, and she specifically cited you as the kind of writer who is conspicuously absent from anthologies like this. And the debate about Bone in particular is continuing even this week. Do you think that there really is still a great split in the comics world between art comics and pop comics?
[A:] Yeah, I do. I’m not sure I’m too concerned about it. When you work in comics, you’re kind of used to lines in the sand. From the time you’re a kid, you’re kind of raised in this either/or type of a mind-set with comics: If you like Marvel comics, you can’t like DC comics. If you like superhero comics, you can’t like indie comics. There’s kind of like — I believe — a false dichotomy which puts a Chris Ware at one end and Bone at the other. But I don’t think one is more valid than the other. What are you going to do? It’s high art versus low art. You’ve got Chris Ware, who is Beethoven, and you have me. I’m the Beatles. One’s not better than the other. They’re just making different music.
If this doesn’t settle it, this isn’t the internet.