With DC Entertainment not ensconced safely in the petri dish of the Burbank studio world, THR’s Borys Kit delivers the Story of the Move with two videos of the DC library then and now. Trigger warning: images of Steve Korte holding a whip.
The move west didn’t merely uproot the staff; it also meant a cross-country trip for DC’s celebrated library on Broadway, which was stored in a vault and included nearly every comic the company has published as well as a collection of licensed merchandise and oddities. (Collectively, DC’s copies of the first appearances of Superman, Batman and Wonder Woman are worth more than $2 million.)
Special movers, working with Warner Bros. Archives, packed nearly 100,000 comics and 8,000 hardcover books into 600 boxes, and a security team escorted them to a giant truck in mid-March. DC executives tracked the vehicle via GPS, and another security team oversaw the collection’s unloading. “It was like medevacking the heart from New York to Burbank,” says Nelson.
The front office certainly looks nice. I still feel a stab when I go up to the Carnegie Hall area, but sometimes puling stakes and moving is what it takes:
Overall, the move went as smoothly as possible, with no major damage to the collection reported. Nelson, whose office door boasts a transparent Wonder Woman image, says the new environment has affected employees and their work: “There’s a happiness that comes with being so close to the studio — seeing people they haven’t seen on a regular basis — and being in a creative space that feels like a comic company.”
Heidi MacDonald is the founder and editor in chief of The Beat. In the past, she worked for Disney, DC Comics, Fox and Publishers Weekly. She can be heard regularly on the More To Come Podcast. She likes coffee, cats and noble struggle.