Daily Marvel Mystery Teaser: Armor Wars!


Yikes for today’s Marvel mystery event thing we go all the way back to the 80s! Before there were Events!!! Armor Wars, by David Michelinie and Bob Layton, was one of the original golden age of Iron Man storyline and showcased Tony Stark’s penchant for being a hoarder with his armor suits as being a bad thing.

The current promo, by Steve Pugh, shows a bunch of different Stark Armors, including a mecha-szed one blowing a hole through the face of the Statue of Liberty. Nice one, Tony. Also shown: the Hulkbuster armor, West Coast Avengers-Iron Man and more.

Shoulder pads, John Hughes and Armor Wars. Those were the days.

Reviewed! Every Issue of Villains Month, Week Four

Week four wraps up the review copies, with another slightly-uninspiring collection of comics. The first two weeks definitely felt a little stronger, or perhaps that’s just a side-effect from me reading fifty-odd issues of murder and horror in a row. It’s a little desensitising!

There’s more set-up for the Arkham War crossover this week, as well as some new creators debuting DC work for the first time. There’s also a whole lot of murdering going on. Villains Month officially ends this week – but check back next week for reviews of all the straggling issues, as well as an little overview of how the month has gone as a whole.

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Marvel’s Second Wave is ‘All-New Marvel Now’, Starting with All-New Invaders

In an interview with delightful hero Brian Truitt of USA Today, Marvel have unveiled the branding for their next wave of comics. Called All-New Marvel Now, the two launch books will be All-New Invaders by James Robinson and Steve Pugh; as well as Matt Fraction and Joe Madiurera’s Inhumans.

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REVIEW: Breaking the Mold? ANIMAL MAN #18 and SWAMP THING #18

The end of the ROT WORLD crossover arc raises the question that Umberto Eco posed in his famous essay on Superman in 1972: can there really be change in a superhero universe? Doesn’t that imply aging, and movement toward an end, death, in fact? Whereas the constant return to a status quo at the end of each trial or adventure puts readers back in a position of looping time, and any seeming change in the lives of superheroes is seen to be a kind of necessary illusion. Eco even pointed out that “What If” stories are the only recourse to exploring meaningful life developments for superheroes like having long-term relationships or kids, milestones that can be neatly tucked away as “out of continuity”. We’re still struggling in superhero comics with the same realities of narrative constraint introduced by the Man of Steel, but that doesn’t mean that some writers and artists are satisfied to make all monumental events, the reason we read superhero comics in the first place, transient. Some are determined not to hand the property on to the next writer or artist in the same condition in which they received it, and that does suggest a lot of gumption on their part. Scott Snyder and Jeff Lemire have suggested in interviews before the ROTWORLD finale that they fought to incorporate lasting change into the universes of SWAMP THING and ANIMAL MAN respectively, and the question is, are those changes really meaningful to the reader? What did the ROT WORLD arc add to the mythology of the DCU and will its impact continue to be felt, or will there still be a gradual return to the status quo to follow?

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