While the mainstream comics world was getting reaquainted and dusting off their drinking pants at Emerald City this weekend, the year in CAFS also kicked off in Providence, RI with RIPE, the Rhode Island Independent Publishing Expo. Now in it’s second year, this is a show in a town with a solid comics history and within driving distance of lots of other scenes. Robyn Chapman, cartoonist, First Second editor, and Tiny Report mastermind, has a report on the show, and she had me w2ith the first photo above. Was this expo held in a Greek temple to the sun god Apollo??? No, just the Providence Public Library.
Here’s a new website that anyone who care’s about the continuing evolution of comics should bookmark and heck regularly: The Tiny Report, a news site focusing on micropresses and other small publishers. It’s run by Robyn Chapman, herself the owner of a micropress, Paper Rocket, publisher of some truly excellent comics that shuoldnt’be thought of […]
Paper Rocket is one of the thriving micropublishers now on the scene; it’s run by Robyn Chapman, herself a mighty fine cartoonist, and she’s set it up in what looks like a sustainable way: running very modest Kickstarters to fund printing and then selling at shows, via the Paper Rocket website and indie distributor Tony […]
Representing comics production in popular culture has long been missing a piece of the puzzle. We’ve had excellent documentaries about ground-breaking creators like Will Eisner, characters like Wonder Woman, and even explorations of rising con-culture in the USA, but the least likely to receive attention, the mode of indie comics production right now, has come […]
Some recent publishing moves: Carol Burell, formerly editorial director at the Graphic Universe division of Lerner Publishing, ankled the company to join Abrams Comic Arts as an editor last month. As editor, Burell took a small educational publisher’s comic line and grew it to produce both outstanding original comics (Guinea Pig) and great international pick-ups (the much lauded Little White Duck: A Childhood in China.) Basically she was there as children’s comic became a growing market and helped Lerner become a player in the field. At Abrams, the powerhouse publisher of Wimpy Kid and My Friend Dahmer, she’s in a position to do even more. We won’t lie: Carol is one of our favorite comics people and this was a fantastic move for Abrams.