X-Men: First Class does something I haven’t seen a superhero movie do before. It’s not just a period piece, that’s unusual enough, but it also places its fantastic characters, Gump-like, in the middle of historical fact. Captain America: The First Avenger, released concurrently, went back in time to place its difficult-to-like protagonist in his proper context, but then wove a fantastical story around him involving ancient Norse artifacts and a guy with no face. First Class not only places its characters in history, it puts them at the center of the darkest, most traumatic events of their time.
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