Under the Sign of Capricorn by Hugo Pratt IDW/Eurocomics, $29.99 _________________________________________________ As the year turns, IDW’s EuroComics imprint debuts with the first of twelve projected volumes of Hugo Pratt’s beloved Corto Maltese. For these elegantly produced trade paperbacks, Pratt’s literate, witty, exceedingly well-researched and beautifully drawn stories are translated by Simone Castaldi of Hofstra University […]
While we were enjoying Comic Arts Brooklyn this year, my partner Marguerite Van Cook and I took a break from the excitement of promoting our new Fantagraphics Book The Late Child and Other Animals to go across the street to a little coffee bar and have a snack. The young counterperson noted the influx of […]
CAB Fantagraphics debuts: Schrauwen, Horrocks, Rickheit, Knisly, Romberger and van Cook, ZAP….oh yeah
And that just about wraps it up here! With new books by Horrocks, Rickheit, Schrauwen, Knisley, James Romberger and Marguerite van Cook, and a little item called The Complete ZAP! I think Fanta is kinda….ruling. Get these REALY kids because they will go FAST FAST FAST. Arsene Schrauwen by Olivier Schrauwen Follow along as Olivier’s […]
Even though it’s two weeks in the rearview mirror, a lot of worthy writing has been done about this year’s Small Press Expo. I’m sure devotees have read all the following, but given all the talk about what sells at conventions and the evolving comics market, this was an important show to think about. § […]
Here for your perusal, I examine a pile of worthy comics and graphic novelish books that I have found in my travels to Brooklyn; from a few book release parties at Bergen Street Comics, The Brooklyn Book Festival and most recently, Desert Island owner Gabe Fowler’s brand spanking new Comic Arts Brooklyn festival. ______________________________________________________________ […]
I find Dash Shaw’s work to be strangely invigorating. I admit I had some reservations when I first saw the daunting heft of his Bottomless Belly Button, with its absurdly extended passage of a man running and profusely sweating, drawn in a style so crunchy that it makes Gary Panter look slick. The idea that all we cartoonists must now draw books that are at least three inches thick and that take several years of deprivation to accomplish thanks to the efforts of obviously dedicated workhorses such as Shaw and Craig Thompson was not a pretty one. But I was eventually to resign myself to this new order.