When comic creators decide on doing a crossover, it’s pretty much guaranteed that shenanigans will ensue. When Marvel deemed that Deadpool and Howard the Duck should “join forces,” they might have taken that a little too literally.
Writer Stewart Moore and artist Jacopo Camagni have done a wonderful job in steering us down this Alice in Wonderlandish rabbit hole called a comic, where in which they filled the hole with anthropomorphic characters, S.H.I.E.L.D. agents, and nanobot filled barf. The idea of both Deadpool and Howard the Duck inhabiting the same body seems like a pure strike of comedic-genius, but Moore and Camagni took the zaniness a step further with the inclusion of characters like Doctor Bong (who’s been chasing the likes of Howard since 1977) and the familiar ball of “furry-fury” that is Rocket Raccoon.
The writing was a well-done marriage with the two worlds of Howard the Duck and Deadpool; The anti-hero talking waterfowl who is constantly drowning in all the crap the universe throws at him, and the anti-hero/mercenary for hire who takes all the crap that gets thrown at him and shoves it down said universe’s throat. The banter between the two characters alone, who find themselves inhabiting the same body, would have undoubtedly gotten tired and stale if it weren’t for the supporting characters that breathed fresh conflict and confusion into the over-the-top story. The fourth-wall breaks that are utterly Deadpool are all present, as well as perpetual disappointments that are purely Howard. As a fan of both characters (I was THAT kid who loved the 1986 flop that was the Howard the Duck movie FYI), I felt that every box was ticked.
Camagni’s artistry really pulls through, doing justice to nearly every Marvel character. I say “nearly” because I thought that Rocket Raccoon looked a little too “bottom-heavy” for my taste. His take on Doctor Bong is quite good as well, lending to the fact that Camagni is very use to drawing the male form. Bong should be truly flattered, as it appears that the artist gave him a little extra “padding” down there (he REALLY seems to like making men bottom-heavy). Even the coloring of Israel Silva was a proper balance of gritty mutes and shades of red. It could have been easy to mistakenly gone with the terrible color palettes that have plagued certain Howard the Duck issues in the past, but thankfully the colorist avoided that.
True, the ending was a bit anti-climatic, but I think that it’s ultimately befitting as nothing goes completely as the two anti-heroes would like. Violent, gross, and overtop are all words that describe the five-issue mini-series that is Deadpool the Duck, which means it’s creators truly nailed it. The biggest issue with this series is that it’s already over. Do I smell sequel, perhaps? Or is that just that nanobot-filled-barf again?
Coming out March 15th, find Marvel’s Deadpool the Duck at your local comic shop. Holding out for the collection? Issues 1-5 is slated to release on June 13th 2017.
Nicholas Eskey is an avid reader and writer. When not contributing to The Beat, he works on his personal projects, the latest being a fantasy novel called “My Personable Demon.” He lives in San Diego, California, and is frequently bossed around by his cat.