by Nicky Wheeler-Nicholson David Lloyd is known for his innovative creativity drawing V for Vendetta along with writer Alan Moore. David’s use of the Guy Fawkes mask for the main character has become a political archetype that has gone far beyond the comic. In person David is a lovely man who is passionate about his art. It’s […]
Herb Trimpe, famed artist on the Hulk and GI Joe, co-creator of Wolverine and one of the last remaining Silver Age artists, died Monday night at age 75., a reported by his nephew on Facebook. Trimpe had spent the weekend at the East Coast Comicon, where many greeted him and enjoyed his company as they […]
The Valentines State’s first comic con of the year wrapped up over the romantic weekend. Jimmy Jay, Amazing Arizona Comic Con organizer, didn’t let a hallmark holiday get in the way of putting on his three-day annual comic book convention on Friday, Feb. 13 through Sunday, Feb. 15. The event kicked off with an intimate panel with Spawn Creator Todd McFarlane and the New York Times best selling Batman artist, Greg Capullo. They signed someone’s baby.
If you’ve been following the history of the Asbury Park Comicon, which opened only a year ago in March of 2012, you know it’s been a strange, yet rather astonishing ride, but imagine how much stranger it must be for founder and indie comics creator Cliff Galbraith. What started in a bowling alley turned music […]
By Steve Morris, UK Correspondent This year London Super-Con surprised us all by netting Stan Lee as the guest of honour in only their first year of existence, leading many to wonder how they were going to top themselves for 2013. And while they haven’t yet announced the guest of honour for their second year, their […]
Wow! All hell has broken loose in comic book-land! Last week’s surfeit of Aquarian-born comics creators created a busy circuit of birthday parties, and if I had a dime for every time the name “Gary Friedrich” came up, his legal fees would be paid.
IP Wars are breaking out everywhere.Why here, why now? As always, follow the money. The most visible and lucrative segment of comics industry has, since the great distribution collapse of the ’90s, been primarily in the IP business. Entire comics companies have sprung up just to create movie storyboards masquerading as comics. Big media corporations outfit swanky offices just for the purpose of developing existing IP. It’s become a cottage industry. No wonder then, that controlling and profiting from IP has become THE major preoccupation of the comics industry from the CEO selling movies to the colorist selling prints.