Today, Marvel released an unique Ghost Rider X-mas Special co-written by Wu-Tang Clan member Method Man. Working alongside storytellers Anthony Piper and Balak, the rapper turned writer and his compatriots tell a story about Robbie Reyes taking on Krampus, the evil half-goat, half-demon figure from folklore who kidnaps and eats naughty children each holiday season. […]
The Felipe Smith/Tradd Moore run on Ghost Rider was a stylish new take on the character. The Marvel Now ’16 verssion isn’t quite as stylized, but we’re still digging the manga infused variant cover by Smith, as well as his Hip Hop variant. Ghost Rider #1 goes on sale on November 30th. Start your engines, […]
We’re live at the “Using Tumblr to Sell Your Ideas” panel. Our panelists include Ghost Rider writer Felipe Smith, My Little Pony artist Katie Cook, and The Wicked + the Divine writer Kieron Gillen. You can even submit questions to their blog [but not anymore…the past has passed…-ed.]. General Information If someone steals content you originally posted […]
It appears that Marvel have offered Ghost Rider creator Gary Friedrich a settlement, thus ending the lengthy case which had previously bankrupted the veteran writer. The details of the settlement have not been offered to the public, but Friedrich’s attorney has informed a federal New York judge that the case can now be dismissed.
When last we saw comics writer Gary Friedrich, he was badly losing a law suit to gain control of the character Ghost Rider and Marvel was telling him to pay back $17,000 in royalties for unauthorized Ghost Rider merchandise he was selling at cons. It was a dark day for creators, and everyone chalked it […]
Wow! All hell has broken loose in comic book-land! Last week’s surfeit of Aquarian-born comics creators created a busy circuit of birthday parties, and if I had a dime for every time the name “Gary Friedrich” came up, his legal fees would be paid.
IP Wars are breaking out everywhere.Why here, why now? As always, follow the money. The most visible and lucrative segment of comics industry has, since the great distribution collapse of the ’90s, been primarily in the IP business. Entire comics companies have sprung up just to create movie storyboards masquerading as comics. Big media corporations outfit swanky offices just for the purpose of developing existing IP. It’s become a cottage industry. No wonder then, that controlling and profiting from IP has become THE major preoccupation of the comics industry from the CEO selling movies to the colorist selling prints.