There’s an air of impossibility surrounding this book. It begins with a song and vibrant neon crime fighting. It deflates the hyper-serious and allows for a sense of whimsy. When I started working behind the desk at a comic shop, something like this would have barely snuck through Marvel editorial as a one-shot – a reaction to an audience that had an appetite for Serious Comics about Things That Matter and very little else. Today things are clearly different.
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