As we told you on Tuesday, DC Entertainment unveiled a brand new logo for all its branding across all platforms. It’s more of a “print” type throwback logo, designed by Pentagram, specifically partner Emily Oberman, just in time to give DC a “rebirth” to its older, more hopeful and optimistic self.
Just as it did with The New 52, DC is ushering in a new logo for its new Rebirth era. The logo, which was designed by the design team Pentagram, will debut on next week’s DC Universe: Rebirth Special #1’ by Geoff Johns but will imediately be seen on all DC websites, social media channels, […]
It’s not often you come away from an awards show thinking “Man those title cards were amazing!” but that’s exactly what I thought while watching the Oscars on Sunday. Everything about the graphics used to introduce the nominees was spot on — from the gorgeously curated objects used for the Production Design nominees to the […]
[Editor’s note: The release this week of March Book Two by Rep. John Lewis, Andrew Aydin and Nate Powell has already made headlines with its story of the fight for civil rights in the 60s, and the covers to both volumes have become iconic in their own right. The message of the courage to fight for equality for all in the face of violent opposition is as relevant and needed today as it was 50 years ago. But powerful images to cover powerful times don’t always spring up fully formed. Here Powell and Top Shelf designer Chris Ross with an in-depth breakdown of how they created these covers and combined imagery to capture both history and ideals.]
NATE: March was originally a single, massive volume, so the initial front and back covers were intended to house the entire narrative: the front introduced the basic visual theme of opposition, with two elements facing off against each other, though a contingent of riot-ready white supremacist police were prominently featured across the bottom. After some discussion with Chris Ross, Andrew Aydin, and Congressman Lewis, we all agreed that we should shift some of that focus to the folks on the front lines, and away from Jim Crow police forces. Around that time, we decided to release the saga as a trilogy, so Chris and I jumped in to further develop the oppositional themes, but playing with different angles and approaches to the cover’s division.
Signs aren’t the only thing greeting attendees at the entrance to New York Comicon. Amidst the registration booths and all too quickly emptied bins for lanyards ReedPOP has its own boutique, featuring the geek-chic fashion of Ashley Eckstein’s Her Universe line. Jeff Trexler
Comics design is something everybody appreciates whenever they walk into a store – in many cases, it’s one of the central reasons why they try a comic series they’ve never seen before. And yet it’s something which doesn’t get discussed as much as it perhaps should do, considering the importance of a good logo or […]
Marvel seem to be making a proper investment in their female characters in 2013, with a number of new books launching and several of their more prominent female characters getting a boost in profile. Of their many comics featuring female characters, though, one of the most anticipated is Fearless Defenders, in which an all-female team of […]
Steven Sanders was one of the first people I ever interviewed. An artist and designer who has worked on books such as Five Fists of Science, SWORD, and Our Love is Real, I’ve always been struck by the amount of thought he puts into his character and concept design. When I think about design in […]
Not quite comics, but hours of fun: The design blog Grain Edit features work by several cartoon-affiliated folks, and sums up the look of the day (as defined by the Mid-Century influence, whatever you call it) very nicely.
Well, by now it’s looking more and more like the new DC logo is for real.