Manga triumphalism—heck yeah!

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As I’m probably too fond of saying, each year’s San Diego Comic-Con represents the end of comics’ fiscal year, and we’re now in a new cycle of sales, renewal and looking forward to the next thing. Although the con was not that memorable on its own, it did mark a new plateau in the direct sales era for comics penetration into the mass media, and for having a variety of voices and genres that the medium has probably has never been seen before.

This situation, while far from ideal, still represents a dream come true for a lot of us who have been toiling in the comics industry for a while. I remember as if it were yesterday sitting in various comics industry think tanks in the 90s wondering WHAT could be done to expand the audience for comics, how to bring in genres that weren’t superheroes, and how to overcome the tyranny of the “32 page pamphlet” as it was dubbed by either Kurt Busiek or Marv Wolfman, depending on who you ask. These tasks seemed daunting at the time, and it actually took 25 years to get to a place where it could be argued that its true, and everyone at those meetings is a certified old timer now.

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Dallas Middaugh moves to Crunchyroll

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Early manga adapter Dallas Middaugh, who has been involved in most of the major moves that changed manga from an obscure niche in US fandom to a permanent part of the pop culture landscape, has left his position as Senior Director of Penguin Random House Publisher Services to join Crunchyroll as Head of Brand and Community. He’ll work with the streaming anime service to expand the brand globally.

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NYCC ’13 The Beat Podcasts! More To Come NYCC Interviews 2

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Straight from the convention booth of Publishers Weekly at New York Comic Con, it’s More to Come! Your podcast source of comics news and discussion starring The Beat’s own Heidi MacDonald. In part two of our New York Comic Con interview special, Calvin speaks with Laurence Maslon creator of Superheroes! – both book and PBS […]

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