Marvel’s ark adds more of everything to the Secret Wars boat.
It’s been the super secret plan of the Marvel staff for more than five years. It’s been a glimmer in Jonathan Hickman’s eye for even longer. But now, Marvel is joining the “big battle changes fictional universe forever*” trend with Secret Wars, which launches in May leaving carnage in its wake.
As announced at a press conference with Executive Editor Tom Brevoort and E-i-C Axel Alonso at Midtown Comics downtown location, as part of the eight issue Secret Wars event Secret Wars #1 and Secret Wars #2 by Jonathan Hickman and Esad Ribic, the Ultimate universe is folding into the 616 Marvel universe and “There will be only Battleworld,” promised Tom Brevoort. Issue #2 will be a huge extra sized reference staking out the new world, which ties in to the teasers marvel released last fall. Various universes form popular mini series of the past from Civil War to Marvel Zombies will return.
By Kyle Pinion Today, Marvel resumed their semi-regular “Next Big Thing” conference calls with comics press, focusing this iteration on the upcoming Ant-Man launch in January. The soon to be Marvel movie featured Scott Lang is the star of this new series written by Nick Spencer (Morning Glories, Superior Foes of Spider-Man) joined by […]
[Little more than a week ago, Marvel announced a big change at the top, with VP, Executive Editor Axel Alonso being promoted to the role of Editor-in-Chief. A ten-year Marvel veteran, Alonso originally forged his name as one of the best regarded editors of the modern era during a stint at DC’s Vertigo imprint where he developed 100 Bullets and won a reputation as an editor of thought-provoking action who got career-defining work from writers like Garth Ennis and Brian Azzarello. As one of the main players at the Jemas/Quesada Nü-Marvel, he continued to make waves, introducing a gay Rawhide Kid, editing the acclaimed Peter Milligan/Mike Allred X-Statix and revitalizing such characters as Luke Cage and the Hulk. In recent years he’s continued to bring in new talent, including a bevy of crime fiction writers like Victor Gischler and Duane Swierczynski. It’s a strong creative portfolio for someone coming to the position and seeing how Alonso makes his mark on perhaps the most fabled job in comics will be one of the most important stories of the next few years. Despite his busy busy schedule, Alonso very graciously made time this week to answer some of the main questions facing any comics industry executive in these interesting times.]