By Matthew Jent
The Fairy Tale Remix panel, moderated by author Shannon Hale, brought together more than half a dozen authors of young adult and fantasy fiction in front of a packed panel room. Hale a confident and fun tone, promising a fight to first blood by the panelists if things got boring. Full disclosure? I took a seat in this panel to get a good spot for a later panel in the same room that I wanted to cover for the Beat — but Fairy Tale Remix has proven to be the highlight of my SDCC 2014 experience so far. It was a symposium on fairy tales, storytelling, writing and the search for magic in real life. No first-blood-fights were required, and there wasn’t an empty seat in the room. The audience included mostly women, from kids on up, with more than a few cosplayers. Before the panel began, there were a number of kids (and their accompanying grown-ups) having their pictures taken with some folks who cosplayed the Frozen sisters Elsa & Anna and if you weren’t yet caught up on this season of Once Upon a Time, it was a bad audience to eavesdrop on.
After introducing the panel members as Marissa “The Mauler” Meyer, Katherine “No Safe” Harbour, “The Hammer of Lore” John Peck, “The Baroness Schadenfreude” Cornelia Funke, Tony “The Terror” DiTerlizzi, Ben “The Equalizer” Tripp (dressed in a Georgian England costume, complete with white wig), and Danielle “Toto’s Bane” Paige, Hale began with a quote from Albert Einstein: “If you want your children to be intelligent, read them fairy tales. If you want them to be moreintelligent, read them more fairy tales.” Asking how the panelists were introduced to fairy tales, it was across the board as children.
“It was the first time I realized, everything is a metaphor,” Tripp said, “These stories are all about something else.”
Funke, after explaining that she is German and so was naturally raised with the original, brutally violent versions of the tales, said she hated them as a child. They were full of death and dismemberment, and swans who had to knit sweaters for their brothers.
Meyer added that her first fairy tale love was Disney’s film version of The Little Mermaid, and upon subsequently reading the original version by Hans Christian Andersen, in which Ariel dies at the end, she wondered, “What else is Disney not telling us?”
That discomfort and that desire to know more was a strong motivator for the writers to tell their own versions of Rapunzel, Oz, or Puss N Boots. Meyer got her start as a writer with Sailor Moon fan fiction, and writing new versions of fairy tales was a logical progression. When Hale asked the panel if it was fair to call what they were doing fan fiction, everyone agreed.
“How is rewriting fairy tales different from fan fiction?” Hale asked.
They’re basically the same thing, the panel agreed, but “You can take fairy tales in more directions than fan fiction,” said Meyer. Tired of passive princess characters, Meyer wanted to get back to the older versions of very old tales — where Little Red Riding Hood rescued herself from the Big Bad Wolf, instead of waiting for the Woodsman to appear.
Fairy tales come to represent the times and the places in which they are written. Adding something new to those tales — characters, points of view, social agendas or social awareness that did not exist when they were first told — is part of a storytelling tradition that goes back to Shakespeare, and earlier. Peck added that no story was worth retelling without adding something new.
The panel ended with a Q&A from the audience, many of whom were writers and storytellers themselves. One audience member asked where the writers found magic in the modern world to write about.
“Where do you not find it?” Funke said. “Look at the people in this room, the hundred million stories in these chairs, in these costumes. There is so much in this room I would call magic. We are just the reporters of that. We are in pretty magical times.”
A parent asked how she could encourage her daughter, who wanted to be a writer.
“Forbid it,” said Tripp, whose own son was studying medicine and science.
“Don’t give too many instructions,” Funke said. “And give her beautiful, empty notebooks.”
It sounds like the beginning of a fairy tale.
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